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Black Girl White Girl: A Novel [Paperback]

Joyce Carol Oates
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Book Description

22 Jan 2013

A controversial, painfully intimate depiction of race in America by the esteemed author of ‘We were the Mulvaneys’, ‘Blonde’ and ‘The Falls’.

Fifteen years after the mysterious death of Minette Swift – a 19-year-old black girl enrolled as a scholarship student in an exclusive liberal arts college – her former roommate Genna begins an unofficial enquiry into the traumatic event. In reconstructing the girls' tumultuous freshman year at the college, Genna is led also to reconstruct her life as the daughter of a famous ‘radical-hippie-lawyer’ of the 1960s among whose clients were anti-Vietnam war protesters wanted by the FBI.

What follows is a gripping and personal portrayal of 'black' and 'white' in America in the years of crisis following the end of the Vietnam War, and the ignominious exposure and fall of President Richard Nixon.


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Product details

  • Paperback: 448 pages
  • Publisher: Fourth Estate (22 Jan 2013)
  • Language: English
  • ISBN-10: 0007232799
  • ISBN-13: 978-0007232796
  • Product Dimensions: 12.2 x 19.6 cm
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Bestsellers Rank: 294,662 in Books (See Top 100 in Books)

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Review

‘Failures of communication seem both tragic and inevitable in a novel that reveals its author’s awareness of the complexities involved in personal and political relationships too often portrayed as stereotypes.’ Sunday Times

'Oates is such an intelligent writer, and one who is also always highly readable.' Independent on Sunday

'Oates is digging her pen into the sensitive heart of the race question, with all the intelligence and humanity we have come to expect from this brilliant and bafflingly prolific writer.' The Times

‘A compelling…read.' Daily Telegraph

‘Where the novel truly stands out is in its depiction of its two protagonists. Genna is a fine portrait on the coruscating effects of guilt on a young soul. Her halting, self-lacerating voice is painfully acute, such as when she ponders whether the persecution of her roommate is just a malicious dormitory prank or much worse.’ Guardian

‘This is a riveting, painful deception of white guilt, youthful regret and unrequited passion set in America's years of crisis following the end of the Vietnam War' Daily Mail

'The prolific Oates is bang on form with this one, a cunningly loaded mix of post-Nixon paranoia, public racism and private madness.' Metro

About the Author

Joyce Carol Oates is a recipient of the National Book Award and the PEN/Malamud Award for Excellence in Short Fiction. She has written some of the most enduring fiction of our time, including ‘We Were the Mulvaneys’, which was an Oprah Book Club Choice, and ‘Blonde’, which was nominated for the National Book Award. She is the Roger S. Berlind Distinguished Professor of Humanities at Princeton University.


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19 of 19 people found the following review helpful
5.0 out of 5 stars Oates on fine form - again. 14 Nov 2006
Format:Hardcover
There is no subject that Joyce Carol Oates seems unable to write about, and in her new novel she once more casts her observant eye on a controversial part of America's past.

The novel centres on the events leading up to the death of Generva Meade's roommate, 19 year old Minette Swift, at the Schuyler Liberal Arts College in the spring of 1975.

Told from a 15-years-on point of view, Generva (or Genna, as she is more frequently referred to in the novel), is looking back at her past, and that of Minette, in order to understand how such a terrible death befell her room-mate.

Initially the two characters seem entirely different. Genna is from a well-connected family. Her ancestors founded Schuyler Liberal Arts College and she is heir to a Quaker fortune. Her father is an infamous and radical lawyer who in the past has supported many activist causes and was deeply involved in the "hippy underground" movement of the 60's.

Minette is at the college on a Merit Scholarship as her family do not have the funds to pay the full college tuition fees. Her father is a minister in a very highly regarded Washington DC church.

As the novel progresses however it is clear that the young women are much more similar than they realise. Each is overtly afraid that their backgrounds will be discovered, and that people will therefore perceive them to be something they are not.

Genna feels trapped by her radical, free-thinking, privileged upbringing and so tries desperately hard to do the non-conventional and befriend Minette, one of Schuyler's few black students.

Minette realizes how poorly prepared public school has left her for life at Schuyler College and so retreats into herself, into her Bible, and consumes so much food that her weight increases greatly. Hiding behind a feeling of defeat Minette accepts all of the sympathy that is offered when she becomes the target of seemingly racially motivated harassment.

In the final third of the novel Oates very cleverly steers the story in a completely unexpected direction, and the ending, which does reveal the cause of Minette's death, is really a summation of what lies at the heart of the novel and it's real message as a work of fiction.

I don't want to spoil the novel by giving too much away but Oates uses the background of Genna's family and the fallout from the end of the Nixon administration to make a very telling point about American life during the `70's. The novel is about much more than just the lives of two girls in their freshman year at college, and this is one of Oates's great strengths as a writer. She uses a simple premise for a story and uses it to make a significant social point or observation.

In a recent interview Oates said that the novel is loosely based on an actual event at an American college, and indeed the book's dedication - in memoriam - "Minette" - gives us a clue that once more Oates is using fiction to pass comment on how history can tell us so much about how life has become what it is today.

It is a fine novel and one I would recommend to Oates fans of old, as well as those wanting to sample something by one of the true giants of modern literature.
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6 of 6 people found the following review helpful
5.0 out of 5 stars Roads to tragedy paved with good intentions 10 Mar 2009
By Ralph Blumenau TOP 500 REVIEWER
Format:Paperback
The year is 1974/5. Genna Meade comes from a liberal American family. Her father is a prominent radical lawyer, preachy in private as well as in public life, revered by some and hated by others, and has made a name for having helped draft-refusers from the recently ended Vietnam War. He is often away from home, his whereabouts not known even to his family. Genna's mother is an unhappy and lonely middle aged hippy with a drug problem. Genna herself is a fresher at Schuyler College, a liberal arts women's college in New York state, and in her application form had said she would like to share rooms with someone from an ethnic minority. Her room mate is a black scholarship student, Minette Swift. Minette is an unattractive, unhappy, touchy, fiercely private and intensely religious young woman who rejects friendly approaches, however hard Genna tries; and she is unpopular even with the other black girls in the dormitory of Haven House.

The first half of the novel has little plot development: settings are sharply observed, and it concentrates on bringing to life these people and their relationships with each other, very successfully, if perhaps by means of a little too much repetition. In particular, one begins to wonder how Genna can put up with Minette's repeated rebuffs. She feels protective of her and at the same time is afraid of her, and she feels guilt, inculcated by her father, about being white.

Then, half way through the book, the story becomes increasingly tense and sinister, as both racism and radicalism move more centre-stage. We have been told in the very first paragraph of the book that Minette will die; and yet her last day, graphically as it is described, is not the end of the book. There is an even more horrendous and quite unexpected tragedy to follow in the Epilogue. To say any more would be a spoiler.

A powerful and haunting book which draws you deeply into what it describes.
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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 3.1 out of 5 stars  22 reviews
17 of 21 people found the following review helpful
2.0 out of 5 stars Very unrealistic; not sure if I should be insulted 14 Jan 2008
By Marie Gibson - Published on Amazon.com
Format:Hardcover
This book was very unrealistic and possibly insulting. I only say "possibly" because I'm not sure what exactly Oates was trying to say with this story. The main characters were too caricatured for me to feel much for them. Genna was just too, too guilty and too desperate to be liked by a roommate who didn't want a new friend. And Minette - how was she a real person? The only way I could see her as a living, breathing human being would be to believe that she suffered from some very serious mental problems. Why make her so unpleasant? She arrogantly disliked everyone, spoke strangely ("Scuseme"), ate obsessively, and even stopped bathing. We are also to believe that she faked her own racist harrassment - the kind of thing a person would do for attention. But Minette seemed to want no attention at all. Ever. From anyone. And she didn't even do well in school. Yet everyone, from the RA to the professors, bent over backwards to accomodate her because she was a black scholarship student. I'm not sure what Oates is trying to say here. Was this the story of a girl with mental problems, or an arrogant, dirty, greedy black girl who wasn't smart enough for the scholarship she had, who manufactured racism when she didn't find any (in the 70s) and her long-suffering, guilt-ridden, white roommate who just wanted a friend?
14 of 17 people found the following review helpful
4.0 out of 5 stars Grey 10 Mar 2007
By MICHAEL ACUNA - Published on Amazon.com
Format:Hardcover
In "Black Girl White Girl" we find Joyce Carol Oates in familiar territory: Genna ("I hated the possibility of being perceived as a spoiled, privileged white girl..."),from a wealthy family yearning for the friendship of her college roommate, Minette: a black woman ("Her face fascinated me, it was the most striking face I'd seen close up....sharp boned...with dark skin that looked stretched to bursting...you felt that, if you dared to touch that skin, your fingers would dart away, burnt.").
Genna goes out of her way to be kind and considerate of Minette often doing simple courtesies for her but to no avail. Minette, coming from her conservative African American background is wary and suspicious. ("From the start Minette was an enigma to me. A riddle and a dazzlement".)
As with many of Oates' heroines, Genna is uncomfortable in her own skin and seeks the approval of others in order for her to accept herself. Genna is emotionally empty: she is always on the lookout for someone to fill the gaping void that is her heart and soul.
As is always the case in Oates' work, family plays a big part in "BGWG" ("...the family is the locus of obsession. The family is about possessing and being possessed.")
Genna's family life is anything but simple and straightforward.
Her mother Veronica lords over her with absolute authority on the one hand and a bottle of Absolut in the other. Her father, Max always seemingly on the lam for his Civil Rights activities is unavailable physically and emotionally and only makes guest appearances in Genna's life. Both Veronica and Max are thrilled that Genna has the opportunity to room and become acquainted with a living breathing African American. Genna's heart is in the right place. It's just that she has no experience making friendships. She tries too hard and that simply drives Minette farther and farther away. Not that Minette is perfect by any means. She too is flawed but a much bigger mystery than is Geena. ("Always there was a curious aloofness to Minette Swift.")It is also through Minette that Oates once again exhibits her fascination for and fright of compulsive eating. Minette sneaks food into her room, eats in her room alone and generally uses food as a way to hide from others and avoid facing her peceived (by her) inadequacies.
Then a series of tacit attacks begins: racial slurs are written on the door of Genna and Minette's room, Minette's textbooks are stolen and reappear marked up and shabby. The attacks escalate and Minette is pushed down a flight of stairs. Who is behind these acts?
Oates is covering a lot of territory here: racial prejudice as well as racial entitlement, the family as a base of encouragement or discouragement, the college campus as a microcosm of life and on and on. "Black Girl White Girl" takes us back to that part of Oatesiana called Obsession and though it is not one of Oates' better works it certainly deserves your time being that it comes from one of our finest contemporary writers.
16 of 20 people found the following review helpful
3.0 out of 5 stars Not JCO at her best, but not a bad read, either 5 Nov 2006
By Myra Clarke - Published on Amazon.com
Format:Hardcover
As the title suggests, the novel is comprised of two stories conjoined. Genna Meade reconstructs her freshman year at college and the events culminating in the death of her former roommate for a motive not disclosed until the novel's end. Genna is the white, wealthy offspring of hippie-radicals and Quaker ancestors; her black roommate Minette is the pious, self-possessed daughter of a Washington, D.C. preacher. A compelling mystery unfolds as Genna's hesitant narration reveals a tale of personal and political tumult in the post-Vietnam era. The pervasive theme is good intentions gone awry. What seems clearly "black and white" in the novel's beginning becomes more a study of shadows, as Genna avoids, vaguely considers, then finally faces the morally grey aspects of her life and times.
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