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All the characters in this novel speak in 19th-century dialect, and it's diverting to try to decipher their many odd turns of phrase. For those who cannot determine the meanings of words such as "Spike Hotel", "toco", "winker", and "wistycastor" from context, the author provides a glossary at the end of the book. Unfortunately, almost all of the characters seem overly fond of using racial epithets, which draws attention to the shortcomings of this book. The main one is that Tom Molineaux, who undoubtedly was a complex, fascinating character, comes across as a stereotype here: a hulk with not many brains but a lot of sex drive. Although Fraser fails in that respect, this novel does vividly chronicle an intriguing episode in the history of sport and race relations. --Jill Marquis
‘Mr Fraser is a great historical novelist and in Black Ajax he is at the very top of his form. Damme if he ain’t.’
Christopher Matthew, Daily Mail
‘This is not a flashy novel, wearing its learning noisily. It’s rigorous, intelligent, meticulously horrifying. Wonderfully well done.’
Nicci Gerrard, Observer
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The editoral review above mentions that the characters are use racist language too much! This seems a ludicrous criticism bearing in mind how people would have actually spoken in Victorian times. The lack of censorship in word and thought is one of the things that make this book really interesting.
It's a touching story about race and fame and 100% recommended for those who'd not normally buy books about those subjects.
What makes the novel more poignant is that these, with the exception of Mr Flashman, were all real people. Tom's descent to ruin is beautifully told, and the author's grip on the Regency argot is wonderful. Why can't all books be more like this?
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