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Bitte Orca

Dirty Projectors Audio CD


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Buy the MP3 album for 13.80 at the Amazon Digital Music Store.


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Biography

In 2002 David Longstreth released The Graceful Fallen Mango under his own name. A year later, The Glad Fact reintroduced his experimental rock project as "Dirty Projectors,” a moniker he's kept longer than any particular lineup. Longstreth and a revolving cast of collaborators have since released four full lengths, a compilation of cassettes, and three EPs: From The Getty ... Read more in Amazon's Dirty Projectors Store

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Product Description

Our product to treat is a regular product. There is not the imitation. From Japan by the surface mail because is sent out, take it until arrival as 7-14 day. Thank you for you seeing it.

Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.0 out of 5 stars  30 reviews
28 of 34 people found the following review helpful
5.0 out of 5 stars The most accessible Dirty Projectors album to date. 9 Jun 2009
By Samuel Dennis Goodwin Jr. - Published on Amazon.com
Format:Audio CD
If you've been turned off by the Dirty Projectors in the past because they were either too intricate, too nonsensical, or too pretentious, then I think you will love this album. Every song is unique and well arranged and, although much more straightforward than past albums, still keeps some of the jazzy mathiness that old fans will love. The vocals have reached a new high with impressive three-part female harmonies complementing Dave Longstreth's angular, rhythmic singing. Highly recommended; I just keep coming back for more, even after weeks of listens, and that doesn't happen often for me.
12 of 13 people found the following review helpful
4.0 out of 5 stars Makes good strides toward the future of music 20 Oct 2009
By C. Bradley - Published on Amazon.com
Verified Purchase
Bitte Orca is very likely to appear in the top albums of 2009. I agree.

The album presents many musical concepts that are innovative, creative, and catchy. For instance, guitar riffs are very rarely trite or predictable. Melodies are very rarely structured so that the listener is able to hum them after only a listen or two. Meter is unpredictable and yet extremely interesting with all of its syncopation and surprises. Familiar harmonic structure is sparse and creates a very disconnected feel in almost every track. These components together challenge many ingrained concepts of music, and it makes it extremely interesting to truly listen to. Because of these challenges that it presents I do believe it is making strides to creating new styles, encouraging creativity, etc., and deserves to be recognized as one of the best albums of 2009.

However, because the album presents so many complex ideas and so many changes in meter and structure so rapidly it is not likely to become one of the most coherent albums of all time. Like Radiohead, Dirty Projectors present so many new concepts and challenges to what is expected that often the coherency of the ideas, melodies, and lyrics are difficult to perceive (not impossible, just difficult). I believe that like Radiohead, many bands will benefit from taking examples from Dirty Projectors and will most likely become more successful than their predecessors when the original ideas are watered down for mainstream music.
4 of 4 people found the following review helpful
5.0 out of 5 stars Dirty Projectors - Bitte Orca 25 Dec 2009
By BK - Published on Amazon.com
Format:Audio CD
Dave Longstreth is his generation's Captain Beefheart. He combines "normal" musical sounds with drastic, sometimes jarring, rhythmic and sonic changes. BITTE ORCA is the first Dirty Projectors album that I've heard and I must say that it is one of the most unique albums I found all year. Recommended if you like Dear Science by TV on the Radio, Actor by St. Vincent, or Veckatimest by Grizzly Bear.
76 of 109 people found the following review helpful
1.0 out of 5 stars Unlistenable 16 Nov 2009
By Christine - Published on Amazon.com
Format:Audio CD
After seeing this album get nearly universal acclaim from the critics, I figured it was worth listening to to see what the fuss was about. So I gave it a full listen, expecting to find it at least somewhat enjoyable. Unfortunately, I found it totally unappealing and actually very annoying. It is definitely true that the songs on the album are inventive and experimental, and if you're mostly just looking for something different, you might like this. But for me, the aesthetic doesn't work at all.

David Longstreth takes a kitchen sink approach to production, throwing in what sounds like every possible thing he can think of. He seems to be trying very hard to make the songs interesting to listen to, incorporating multiple vocalists who sing in different styles all at once, unusual rhythmic variations against a standard melodic line, and all sorts of other things floating around all over the place. While, in theory, that could sound pretty cool, what this results in here is sort of the sonic equivalent of taking tofu fried in soybean oil, covering that with marinara sauce, slicing in some kiwi, drizzling some truffle oil over all that, and then adding a few dashes of fish sauce and a cup of cold chocolate milk.

Even "Stillness is the Move," the song on the album that most resembles a single, suffers from an overall sense of clutter and sloppiness. While the female singers give a strong performance, there is just too much going on, and the mix of all that is too raw and unfocused for the song to ever truly gel.

My musical tastes in general tend to veer towards the alternative and odd, but this album just doesn't work for me at all. Clearly some people do seem to love it, so if you too are intrigued by the amazing reviews this often gets, try to preview some full songs before buying the whole thing.
9 of 12 people found the following review helpful
3.0 out of 5 stars Hip African riffs minus the untidy emotion 24 Nov 2009
By Joel D. Kreager - Published on Amazon.com
Format:Audio CD|Verified Purchase
Well, these people do know how to create an excellently sticky hook. Bits from the album stick in my mind for days after I have listened to it. The guitarist is quite technically accomplished. He has lifted various riffs with great exactness from various types of African music, but he plays them rather like one of the dudes you find down at Guitar Center - all the speed and flash with none of the feeling. They revel in the "Alterna-crap" silliness, by this I mean they risk no emotion themselves, but merely make an endless ironic commentary on those brave enough to admit to suffering from this unfortunate disease. Protestations of love would not be believed by anyone with a heart, for example "Flourescent Halfdome." This may be their appeal. The male vocalist utterly murders something halfway to a ballad on that song, which may be his intent, it would suit the alterna aversion to risking any sort of emotion or attachment.
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