This latest edition is worth it for the Copenhagan DVD alone - space age jazz, with Dave Holland still on acoustic bass (and doing some remarkable things, including an uncanny "impersonation" of Miles at one point), but with Chick Corea on Fender Rhodes. This is the "lost quintet" - thankfully, these days some of the extraordinary music they made has been found, and the DVD is yet another revelation for us. By Isle of Wight less than a year later the music was getting funkier (with Holland by now on Fender bass) - it's a shame that Columbia are saving the Tanglewood session, around the same time as Isle of Wight, with Gary Bartz on saxes and Keith Jarrett doubling with Corea on keyboards for those who can afford the deluxe edition - it can, however, be found at Wolfgang's Vault and is, of course, extraordinary. By the end of the year Michael Henderson was in Holland's shoes and the music had changed yet again, into something funky, primal and quite scarily intense, and bearing little resemblance to the Copenhagan set (Live/Evil; the Cellar Door Sessions). All great music, of course - that was Miles, who was playing the most powerfully brilliant trumpet of his career (probably).
Bitches Brew still blows my mind - as Paul Buckmaster says on the Isle of Wight DVD, it is so intense at times that one can hardly take it. I've no idea how many times I've listened to BB since first hearing it in 1970, but I've no doubt I will return to it again and again.