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| Song Title | Time | Price | |||
|---|---|---|---|---|---|
| 1. At Night (2002 Digital Remaster) | 2:45 | Not Available | |||
| 2. Floating Dogs (2002 Digital Remaster) | 3:00 | Not Available | |||
| 3. Quiet And Alone (2002 Digital Remaster) | 2:37 | Not Available | |||
| 4. Close Up (From 'Family Snapshot') (2002 Digital Remaster) | 0:55 | Not Available | |||
| 5. Slow Water (2002 Digital Remaster) | 2:55 | Not Available | |||
| 6. Dressing The Wound (2002 Digital Remaster) | 4:11 | Not Available | |||
| 7. Birdy's Flight (From 'Not One Of Us') (2002 Digital Remaster) | 3:02 | Not Available | |||
| 8. Slow Marimbas (2002 Digital Remaster) | 3:25 | Not Available | |||
| 9. The Heat (From 'The Rhythm Of The Heat') (2002 Digital Remaster) | 4:48 | Not Available | |||
| 10. Sketch Pad With Trumpet And Voice (2002 Digital Remaster) | 3:09 | Not Available | |||
| 11. Under Lock And Key (from 'Wallflower') (2002 Digital Remaster) | 2:27 | Not Available | |||
| 12. Powerhouse At The Foot Of The Mountain (From 'San Jacinto') (2002 Digital Remaster) | 2:24 | Not Available |
Product details
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I also have (and adore) his contributions to Passion (Last Temptation of Christ) and Long Walk Home (Rabbit Proof Fence), but this CD continues to blow me away even more.
Perhaps it's the fact that some of these tracks are effectively "instrumental" versions of some of Peter's finest early songs (San Jacinto was an incredible experience for me Live at the Sheffield Arena recently - epic and amazing stuff)
I think it's fair to say that not all of this CD will please everybody - we are talking about Peter Gabriel here after all. He really seems to thrive on challenging the listener - even if that means on occasion his fans (witness his most recent studio album "UP" for more on that! - a superb release, but it was a slow-burner for me ... but I got there in the end!)
Overall, Birdy is Peter's strongest soundtrack score in my humble opinion - and it's also his most varied in terms of style. At this price (especially for the remastered edition) it has to be worth a listen, doesn't it?
-John
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