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Track Listings
| 1. 1901 |
| 2. Skinny Love |
| 3. People Help the People |
| 4. White Winter Hymnal |
| 5. The District Sleeps Alone Tonight |
| 6. I'll Never Forget You |
| 7. Young Blood |
| 8. Shelter |
| 9. Fire and Rain |
| 10. Without a Word |
| 11. Terrible Love |
| 12. Comforting Sounds (Bonus) |
| 13. Farewell and Goodnight (Bonus) |
| 14. People Help the People (Rak Session) |
Product Description
Review
Since then, the 15-year-old from Hampshire – Jasmine Van den Bogaerde to her form tutor – has stripped back songs by The xx (Shelter) and Cherry Ghost (People Help the People), setting the template for this debut album. Here, she tackles so many Pitchfork favourites – Phoenix's 1901, The National's Terrible Love, Fleet Foxes' White Winter Hymnal – that it's tempting to speculate whether Foals politely declined when she asked to cover Spanish Sahara. Of course, even the hippest indie kid dips into daddy's soft rock collection when he's not looking, which is presumably why Fire & Rain by James Taylor – the oldest song here by three decades – also appears.
For its 11 tracks, a trio of knob-twiddlers as trendy as the track selection – Jim Abbiss (Arctic Monkeys), Rich Costey (Franz Ferdinand) and James Ford (Klaxons) – keep things intimate and slightly shivery. However, many songs boast a more robust production than Skinny Love; Birdy's piano chords are often cloaked in an alluring veil of reverberation, and embellished with strings, vocal overdubs and even a few drum loops. However, when the record threatens to stray into MOR territory, it’s set straight by Birdy's vocals, as pure and emotionally resonant as teardrops trickling down unblemished skin.
Does this teenage siren really appreciate the lyrics she's singing, mostly written by men twice her age? That's a matter of conjecture, but the LP's sole original – an ambiguous break-up song called Without a Word – suggests her emotional intensity is no pose. Either way, it's hard not to declare the record an admittedly limited success – what’s here points to a brighter future for Birdy than the last British female to pique curiosity with a clever covers set. Besides, at 15, she already seems far too self-possessed to make an ass of herself at the Brit Awards. --Nick Levine
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Product Description
Customer Reviews
However, on subsequent listens, I noticed something: in its own way, the music is just as ethereal as her voice - and, as such, complements her perfectly. Most of the tracks are indie-rock covers - Francis & the Lights, Fleet Foxes, the National - to which Birdy has added her characteristic haunting edge. The whole thing has a ghostly beauty which is deeply relaxing to listen to.
She has only one self-penned track on this album - Without a Word - which, considering her age, is absolutely phenomenal. For those who criticise based on this alone, I think you're being unnecessarily harsh: Birdy is hardly equivalent to the manufactured pop acts spewed out of X-factor. Her choice of covers reveals her maturity and individual taste - she's not reproducing unoriginal versions of mainstream pop songs, after all - and she's been writing her own songs since she was 7. I think this girl is definitely going places. Overall, a surprising but gorgeous album.
Amazing shes going to have a very big career watch out Adele =)
A talent to watch out for......
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