The Bird with the Crystal Plumage is not particularly gory, but it does establish a blueprint for most of Dario Argento's later work, with the crucial misunderstood attempted murder both referencing Antonioni's Blow-Up and prefiguring the killer-in-plain-sight twist of Deep Red. Best of all is Argento's mastery of vivid color and the Scope frame (the gallery window is even designed at an exact 2.35:1 to match the screen ratio). It still lacks the bravura and panache that would distinguish Deep Red, Suspiria and Inferno, and the best that can be said of the performances is that they don't get in the way: Tony Musante's hero and Mario Adorf's cameo as a cat-eating artist pass muster, as does Enrico Maria Salerno, the Italian voice of Clint Eastwood in Sergio Leone's westerns (the perverse side of my nature thought Eastwood could at least have returned the compliment by dubbing him into English), but Suzy Kendall definitely looks better than she acts and some of the supporting cast pull out most of the stops. Still how can you not love a film with lines like "How many times do I have to tell you, Ursula Andress belongs with the transvestites, not the perverts!"
Blue Underground's new Region 1 NTSC DVD is some 30 seconds longer than the previous VCI issue and boasts superb picture quality and a choice of English or Italian tracks (it was shot in English, as per all of Argento's films). The extras aren't plentiful enough to justify a second disc - some 47 minutes of interviews, including an inadvertently revealing one by Eva Renzi pretty much badmouthing anyone who ever offered her a part for destroying her career - but if you don't have the film it's worth picking up for the remastering alone.