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Bilingual
 
 

Bilingual [Limited Edition] [Import]

~ Pet Shop Boys
4.0 out of 5 stars See all reviews (2 customer reviews)

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Product details

  • Audio CD (30 Jun 1997)
  • Number of Discs: 2
  • Format: Limited Edition, Import
  • Label: Parlophone
  • ASIN: B000006U16
  • Other Editions: MP3 Download
  • Average Customer Review: 4.0 out of 5 stars See all reviews (2 customer reviews)
  • Amazon.co.uk Sales Rank: 80,568 in Music (See Bestsellers in Music)

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Product Description

Description
These electronic pop maestros write and arrange lush songs that are as elegant as they are streetwise. For BILINGUAL, they've recruited house-music maven Danny Tenaglia as a co-producer and, in a nod to trip-hop music, given themselves a stronger percussive presence. They've also immersed themselves in the music of Latin America. The lyrics on BILINGUAL arepeppered with Spanish phrases. A bossa nova influence is apparent on some songs; they even sample Astrud Gilberto and Stan Getz.
But the classic Pet Shop Boys sound remains in the detached voice of Neil Tennant, who is forever proving that it's possible to convey powerful emotions while singing so coldly. The Pet Shop Boys' typically gorgeous orchestrations are also present in full force. They continue to update their sound for the times without losing any of their original spark.

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2 Reviews
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Average Customer Review
4.0 out of 5 stars (2 customer reviews)
 
 
 
 
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4 of 4 people found the following review helpful:
4.0 out of 5 stars No translation or subtitles required, 23 Dec 2005
By Kurt Messick "FrKurt Messick" (London, SW1) - See all my reviews
(TOP 10 REVIEWER)    (REAL NAME)   
Again the Pet Shop Boys played their little trick on their fans. The album Very was released in 1994, and didn't do very well commercially or critically, and while the Pet Shop Boys shortly thereafter toured, it had the feeling (partly due to the rumour mill) that this was in fact a farewell series of performances. The next year, when the dual-disc set Alternative was released, the question was largely, 'Alternative to what?' -- a real album, a continuation (Alternative was made up of all the non-album b-sides that had been released during the Pet Shop Boys career, once again fueling speculation that this was a tying-up-of-loose-ends at the end of a career).

Then, in 1996, the album Bilingual was released, again following the by-then-well-established pattern of releasing a single, then follow-up with the album. This was an 'out' album; while most people always knew the alternative sexuality of the group, it had never been made explicit in the group's official publicity. Now, it had been. No surprise to anyone really (does anything coming from any band from the 80's really surprise anyone?).

The Pet Shop Boys managed to release an adequate album, alas, not their best work, and indeed some commentators, remembering the speculation that they were ready to retire, opined that retirement would have been better than this.

Not so, to be sure -- this is a perfectly serviceable album, good in many respects; the first single, Before, was released with a CD-movie of the video (very useful for those without Euro-MTV, American MTV long since having left the genre of the Pet Shop Boys behind and thus unlikely to carry their videos even when they win Euro-MTV awards). This song included many of the classic Pet Shop Boys elements -- poppy dance tune, double-edged lyrics, sample heavy feel, and toe-tapping rhythm.

The rest of the album is influenced obviously by the groups adventures in Latin America and Latin Europe during their concert tour, as well as holidays in the sun. Songs such as Discoteca and Se a vida é contain in their titles the influence; peppered throughout with almost spoken lines in Spanish (¿Hay una discoteca por acqui?), almost as if they had simply lifted lines from their Berlitz travel phrase book. But, in the traditional quirky Pet Shop Boys way, these fit in nicely with the tune.

The transitions on this album are interesting -- for the first time, the Pet Shop Boys didn't have their songs as isolated bits, but many instead flowed together--Discoteca and Single being two prime examples, which bleed together musically and lyrically, the end of Single being also the first line from Discoteca: (¿Hay una discoteca por acqui?).

Songs in the much more traditional upbeat, lyrically-cynical and clever, electronically pop include To step aside, A red letter day, and Saturday night forever. Tennant begins to allow himself some more direct social commentary in songs like The survivors, which can be understood on many levels. Of course, Tennant's lyrics on the album Behaviour poked fun at those celebrities who, because they have fame, suddenly start taking themselves seriously as experts on social concerns, so he is understandably cautious and understated in his own observations, which are usually very much rooted in his own, direct experiences.

As with many Pet Shop Boys albums, Bilingual had a follow-up single, Somewhere, which was not included on the album, but was on the special edition, limited release of the double-CD Bilingual. This second disc includes in addition to Somewhere remixes of several of the album cuts, as well as an additional b-side.

The songs Before, Single, and A red letter day charted variously around the world, but didn't catch hold and take top honours anywhere. Alas, the Pet Shop Boys looked like they were past it. But history has proven differently.

This is an essential album to anyone who wishes a complete Pet Shop Boys collection -- the special album only for those die-hard collectors who can spend extra on auction sites or some such to track it down, but one gains little musically from it. However, this album is for the most part a placeholder in the overall history of the Pet Shop Boys (for the historically inclined, perhaps it is the 'James Polk' of their albums, adequate but undistinguished, often forgotten, but still on the books).

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4.0 out of 5 stars not vintage, but ages well, 27 Mar 2007
Why are PSBs widely thought not to have made a decent album between "Actually" and "Fundamental"? The previous review describes this album in great detail, and I agree with much of it, so I won't dwell on every track of the main album. "Bilingual" certainly didn't set the pulse racing when it came out and releasing "Before" as the lead single can't have helped: Tennant's weak vocal line must have had friends of PSB fans crowing "told you so - he can't sing". It's not got the hiNRG camp of "Very" (I remember that album getting glowing reviews in the NME and the dailies - history seems to recall differently),and it's not "Nightlife" either (an album Time Out felt showed the PSBs never sounding more contemporary, but which sold poorly nonetheless). But returning to "Bilingual" after a long absence reavels several gems. Serious clubbers, the PSBs were ahead of the curve when it came to anticipating the latin groove genre by several years and overall it has a fine summery feel that weathers well. Neil Tennant now recalls its genesis as a reaction against BritPop: well, at the time BritPop was a hard one to beat, what with the Oasis-Blur verbal (and chart) wars and Pulp finally and deservedly getting their 15 minutes of fame: there were a whole new lot of social commentators in town. Tennants wry observations and their most overt gay songs so far didn't really get noticed. The first five tracks (with the exception of the amusing but rather unfinished-sounding low-tech rap "Electricity") are stompers, driven by latin rhythms and featuring female drumming troupe SheBoom on "Discoteca" and "Single". There are two gorgeous songs in particular - "To step aside" - probably familiar to many from the "Somewhere" Savoy residency video - and my favourite here, "It always comes as a surprise". "A red letter day" remains an album oddity for me, especially compared to the hi-NRG single remix and, this being a PSB album, it can only end one of two ways: gloriously over the top (think "Go West" or "Jealousy") or a bit of a damp squib as is the case here with "Saturday night forever".

The extra disc is well worth the entrance price, although most tracks have been released on limited edition 12" or CD singles. It begins with a dubby and slow-to- start "Somewhere" that builds momentum nicely and then seques into the familiar orchestral disco of the 7" mix. There are two very good long trancey mixes by Trouser Enthusiasts, one of "Red Letter Day", the other of "Discoteca". Even "Before" (Classic Paradise mix) sounds improved. The Pink Noise mix of "Se a vida e" is my favourite version of the song - gentle electronica, with lots of backward-layered cymbals and a bass/hi-hat sound straight out of "Last night a DJ saved my life". Finally, there's a more latin mix of the excellent "The boy who couldn't keep his clothes on" from the one that came out on the "Red Leter Day" single pack. A typical PSB B-side (i.e as good as the A-side, if not better), it's another PSB tale of uncertain young sexuality, as a girl berates her boyfriend for heading out to what is obviously a gay club and dancing shirtless (or worse) on the podium. "I'm telling your mother" she concludes petulantly as she ineffectually confronts him in the club. If only we had had a video for that one - MTV would have had apoplexy!


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