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Big Sur: Modern Classic (Flamingo modern classics) Paperback – 3 Dec 2001


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Product details

  • Paperback: 192 pages
  • Publisher: Flamingo; New edition edition (3 Dec. 2001)
  • Language: English
  • ISBN-10: 0586091572
  • ISBN-13: 978-0586091579
  • Product Dimensions: 19.7 x 1.2 x 13.1 cm
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Bestsellers Rank: 1,126,250 in Books (See Top 100 in Books)

More About the Author

Jack Kerouac was born in Lowell, Massachusetts, where, he said, he 'roamed fields and riverbanks by day and night, wrote little novels in my room, first novel written at age eleven, also kept extensive diaries and "newspapers" covering my own-invented horse-racing and baseball and football worlds' (as recorded in the novel Doctor Sax). He was educated by Jesuit brothers in Lowell. He said that he 'decided to become a writer at age seventeen under influence of Sebastian Sampas, local young poet, who later died on Anzio beach head; read the life of Jack London at eighteen and decided to also be a lonesome traveler; early literary influences Saroyan and Hemingway; later Wolfe (after I had broken leg in Freshman football at Columbia read Tom Wolfe and roamed his New York on crutches).'

Kerouac wished, however, to develop his own new prose style, which he called 'spontaneous prose.' He used this technique to record the life of the American 'traveler' and the experiences of the Beat generation of the 1950s. This may clearly be seen in his most famous novel On the Road, and also in The Subterraneans and The Dharma Bums. His first more orthodox published novel was The Town and the City. Jack Kerouac, who described himself as a 'strange solitary crazy Catholic mystic,' was working on his longest novel, a surrealistic study of the last ten years of his life when he died in 1969, aged forty-seven.

Other works by Jack Kerouac include Big Sur, Desolation Angels, Lonesome Traveler, Visions of Gerard, Tristessa, and a book of poetry called Mexico City Blues. On the Road: The Original Scroll, the full uncensored transcription of the original manuscript of On the Road, is published by Penguin Modern Classics.

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Review

‘Big Sur has a swing and a concern with living, a feeling for nature, a self-doubting humour and an awareness of posture which puts it squarely in the powerful tradition of American folk writing. Stunning and vivid.’ Sunday Times

From the Back Cover

'It's the first trip I've taken away from the home since the publication of On the Road, the book that "made me famous" and in fact so much so I've been driven mad for three years by endless telegrams, phone calls, requests, mail, visitors, reporters, snoopers… Me drunk practically all the time to put on a jovial cap to keep up with all this but finally realising I was surrounded and outnumbered and had to get away to solitude again or die…'

Written as the 'King of the Beats' was approaching middle-age, Big Sur reflects his struggle to come to terms with his own myth. The magnificent and moving novel of a man blessed by great talent and cursed with an urge towards self-destruction, Big Sur is at once Kerouac's toughest and his most humane work.

'In Big Sur, the mirror of the Beat way of life is hammered at and it shatters. The Kerouac hero 'cracks up' under the ministrations of his best friends, loved by his most devoted mistress, and while doing the things he has always liked best to do. It is a bitter iron and the force of it produces what is certainly Kerouac's grittiest novel.'
NEW YORK TIMES


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11 of 11 people found the following review helpful By Griffo on 22 Feb. 2009
Format: Paperback
Big Sur is one of my favourite Kerouac books, mainly because in parts its tone is so haunting. As Kerouac descended further into alcoholism and his will for self-negation increased, he wanted to get away from his mother, friends and the circus of fame to write in solitude, as he had tried to do (with varying degrees of success) before. So the poet and publisher Lawrence Ferlinghetti (Lorenzo Monsanto in the book) lent him his isolated cabin at Bixby Canyon on Big Sur for several weeks.

This is the premise of the book, which develops as an autoboigraphical account of his time there, with Kerouac alternately loving the solitude and desperate to escape his own company. He comes across as a man incapable of self-possession, both hating society and yet craving it. Despite his new-found (and hated) 'King of the Beats' tag, and his recent literary success, in Big Sur Kerouac seems to know that he is coming to the end of something, and there's an air of melancholy and desperation about his experience. At one point, he sits hitching on highway one, waiting forlornly for a lift back to San Francisco and civilisation. But he's out of touch with the road, and all that goes past him are tourists and family sedans wary of the ragged traveller and we realise how divorced he now is from the freewheeling young hitchiker of 'On the Road', and all things seem out of reach, even hope.

Kerouac fictionalises his San Francisco circle of friends, but the biggest characters are the Pacific Ocean and Big Sur itself. This is where the book is really so haunting - with the huge cliffs and roaring sea, Kerouac is literally at the edge of both the world and himself, and he's terrified of it all.
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6 of 6 people found the following review helpful By A Customer on 13 Mar. 2004
Format: Paperback
By the time of writing "Big Sur" Keoruac had developed this style of spontaneous writing and had a certain confidence in his work that payed remarkable dividends. His discriptions of the coastal retreat "Big Sur" are lively and poetic. For example "But there's moonlight fognight, the blossoms of the fire flames in the stove - There's giving an apple to the mule, the big lips taking hold" Many sections of this text are poetic, and indeed there is a poem entitled "Sea" at the back of this edition. Early on in the novel Kerouac understands from a letter from his mother that his beloved family cat has just passed away, he explains his grief in such a way that you actually feel pity for him and excuse him for getting nasty drunk to the cat's memory.
Big Sur is a very personal novel, a cry from a man on the edge of a alcohol induced nervous breakdown. It is somwhat sad in parts, altough there are many more jolly and even funny moments penned by Jack probably in less sober conditions. This book is all about getting behind the myth and understanding the real Jack Kerouac. As such, this novel will give a better insight into Kerouacs life than any biography, or even perhaps any other Kerouac novel.
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17 of 18 people found the following review helpful By ontheroadagain19@hotmail.com on 5 Aug. 2001
Format: Paperback
Like most of Kerouac's other works, this is autobiographical. Kerouac writes of his attempts to get away from the pressures of fame by hiding out in a friend's cabin, out in the wilderness of Big Sur. Unfortunately he finds himself still sinking into old habits and cracking up.
This is, in all honesty something of a difficult book in places - Kerouac's prose is somewhat unorthodox and may require some getting used to, yet this book is so vivid in some places that it is well worth the effort. It's like nothing I've ever read before. Although it's not a happy book, there are parts of it that are oddly sweet and touching.
I'd recommend reading On The Road first to put this all in some kind of context.
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26 of 28 people found the following review helpful By A Customer on 7 July 2000
Format: Paperback
I enjoyed "Big Sur" more than any of the other Kerouac books I have read. All his books were suposedly "fiction" but, as anyone who has studied the man will know, they are largely among the most honest, open, autobiographical writings that have been published anywhere! Big Sur is no exception. It charts the painful breakdown (largely due to his alcoholism) of this very complex man. The other characters in the book are present but I found they took on an almost dreamlike quality. Kerouac has the ability to communicate and involve us so that we are truly experiencing the nightmare with him. To me it has to be the most painful, honest and enlightening account of descent into mental illness that has ever been recorded. By all accounts Kerouac,in life, was a complex,difficult and often unpleasant man but those who have read him know otherwise! He communicated best through his writing, which he was passionate about, and through this we have a greater insight into the flawed, but beautiful, person that he was.(spoken from the heart!)
By the way, if you want to read a moving and stunningly beautiful episode of a fleeting Kerouac romance try "The Subterraneans".
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10 of 11 people found the following review helpful By Lisa on 31 July 2006
Format: Paperback
This is a book written by Kerouac several years after On the Road had made him famous. Fame did not sit easily with him and most of this book is his attempt to escape from fame and the notoriety it brings. I found this a sad book after OTR because although Kerouac exhibited a certain amount of youthfull insanity in the story of his crazy trips across America, in Big Sur the realisation has hit him that he may actually be insane. This is a very troubled book, but none the worse for that, just sad when you know that Kerouac died a few short years later, in his early forties, from the results of his drug and alcohol fuelled life.
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