A key film in what became known as the Italian neorealist movement, director Vittorio De Sica's drama won the Best Foreign Film Oscar in 1949. It tells the story of Antonio (Lamberto Maggiorani), a working-class Italian, living just above the poverty line. When he finally lands a job as a bill-sticker, his happiness is short-lived as his bicycle, essential for the promised job, is stolen. With his small son, Bruno (Enzo Staiola), he tramps the city in a desperate search for the precious bike.
Vittorio De Sica's remarkable 1947 drama of desperation and survival in Italy's devastating post-war depression earned a special Oscar for its affecting power. Shot in the streets and alleys of Rome, De Sica uses a real-life environment to frame his moving drama of a desperate father whose new job delivering cinema posters is threatened when a street thief steals his bicycle. Too poor to buy another, he and his son take to the streets in an impossible search for his bike. Cast with non-professional actors and filled with the real street life of Rome, this landmark film helped define the Italian neorealist approach with its mix of real life details, poetic imagery, and warm sentimentality. De Sica uses the wandering pair to witness the lives of everyday folks, but ultimately he paints a quiet, poignant portrait of father and son, played by Lamberto Maggiorani and Enzo Staiola, whose understated performances carry the heart of the film. De Sica and scenarist Cesare Zavattini also collaborated on Shoeshine
, Miracle in Milan
, and Umberto D
, all classics in the neorealist vein, but none of which approach the simple poetry and quiet power achieved in The Bicycle Thieves
. --Sean Axmaker