Heralded as the greatest film ever made on release, winning an Oscar in 1949 and topping the Sight & Sound film poll in 1952, De Sica s seminal work of Italian neorealism has had an impact on cinema worldwide from release to the present day, with filmmakers such as Satyajit Ray and Ken Loach claiming the film as a direct influence on their own.
Bicycle Thieves tells the of Antonio, a long unemployed man who finally finds employment putting up cinema posters for which he needs a bicycle. His wife pawns all the family linen to redeem the already pawned bicycle and for Antonio salvation has come, until the bicycle is stolen. Antonio and his son take to the streets in a desperate search to find the bicycle, which will keep them away from poverty and humiliation but amidst a sea of bicycles and without proof the search is fruitless. Bicycle Thieves us as much about the position of Italians in post-War, post-Fascist Italy as well as the relationship between father and son, told through the labyrinth of the cinematic city with De Sica s visual poetry. With pared down minimalism, eschewing studios and famous actors for real locations and non-professional actors who lived the lives they were playing, Bicycle Thieves defined the neorealist period, a small period of filmmaking that focused on simple, humanist stories, of which Bicycle Thieves was one of the most captivating and moving.
Arrow Academy presents Vittorio De Sica s masterpiece Bicycle Thieves on Blu-ray for the first time in the UK.
Vittorio De Sica's remarkable 1947 drama of desperation and survival in Italy's devastating post-war depression earned a special Oscar for its affecting power. Shot in the streets and alleys of Rome, De Sica uses a real-life environment to frame his moving drama of a desperate father whose new job delivering cinema posters is threatened when a street thief steals his bicycle. Too poor to buy another, he and his son take to the streets in an impossible search for his bike. Cast with non-professional actors and filled with the real street life of Rome, this landmark film helped define the Italian neorealist approach with its mix of real life details, poetic imagery, and warm sentimentality. De Sica uses the wandering pair to witness the lives of everyday folks, but ultimately he paints a quiet, poignant portrait of father and son, played by Lamberto Maggiorani and Enzo Staiola, whose understated performances carry the heart of the film. De Sica and scenarist Cesare Zavattini also collaborated on Shoeshine
, Miracle in Milan
, and Umberto D
, all classics in the neorealist vein, but none of which approach the simple poetry and quiet power achieved in The Bicycle Thieves
. --Sean Axmaker
--This text refers to an out of print or unavailable edition of this title.