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Beyond the Gates
 
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Beyond the Gates

8 Aug 2013 | Format: MP3

7.99 (VAT included if applicable)
Also available in CD Format
Song Title
Time
Popularity  
30
1
4:45
30
2
3:38
30
3
4:35
30
4
3:18
30
5
5:19
30
6
4:46
30
7
4:25
30
8
3:15
30
9
4:08
30
10
4:16
30
11
4:19
30
12
4:25

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Product details

  • Original Release Date: 8 Aug 2013
  • Label: Sanctuary
  • Copyright: 2004 Sanctuary Records Group Ltd., a BMG Company, under exclusive license to [PIAS] UK Ltd.
  • Total Length: 51:09
  • Genres:
  • ASIN: B00EE6XBES
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (2 customer reviews)

Customer Reviews

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Most Helpful Customer Reviews

By ColinD on 11 Jan 2012
Format: Audio CD Verified Purchase
Better than I expected and if you like earlier Hammerfall this will be good for you as well.

Originally I thought that there were just 2 really good tracks on the album, but then I realised that I had it on reapeat play in the car and was singing along. If in doubt get the best feel from tracks 3, 7, 8 , 9 and 10.

Very nice and distinctive vocals, bits of harmony choruses thrown in with a nice rhythmn section, guitars are good.

If you want metal to sing along to and are not worried about deep meaningful lyrics then this could be for you.
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1 of 3 people found the following review helpful By LordCysi on 20 July 2004
Format: Audio CD
But, yet, not as good as it could have been. I mean, HammerFall-style music is to me expected, what with Cans and Elmgren both being on this album, but the music is consistently better than HammerFall's cheesy riffing.
The songs are pretty heavy, and have good riffs, but are still lacking something important. The first half of the album is the best, with the songs being more consistent in being good music, but once you get to The Key, and, more importantly Silent Cries, is when you get into what I like to call the 'ballad zone.'
Basically, this is where all power metal songs go really puffy, and they can't stop it. They contain cheesy lyrics, the music becomes really terrible, as in your stereotypical acoustic guitar, with light drumming, and the vocalist signing far too high for his own good. And, this album, does unfortunately suffer from that.
If it wasn't for the last half/third of the album, this would be a really good power metal album, and if Joacim didn't have the HammerFall legacy behind him, maybe he could've gotten away with it, but, I'm sorry, no..
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