Continuing the ups and downs of our hero's, Mark, love life we now find him living in Nice with is most recent boyfriend Tom. (While events follow on from Good Thing Bad Thing and the earlier stories, Better Than Easy is well able to stand on its own). The two lovers are looking to the future, planning to buy a gîte high in the mountains in the tiny Châteauneuf-d'Entraunes together and make a business doing bed & breakfast. Helping them will be Mark's old friend Jenny and her young daughter by among other things renting a flat in the gîte from them. But it is not all plain sailing, Marks is beginning to have doubts about Tom's commitment, not so much to the gîte project but to him, and just to complicate matters Jenny finds a boyfriend, handsome, charming and delightful Ricardo, a Columbian doctor; and there is a lot more to Ricardo than first appears.
The story revolves entirely around these four characters in a variation on the love-triangle theme, or perhaps more correctly a sort of disjointed love-square. It says a lot for the quality of the writing for while the plot ventures little beyond the build up to the signing of the contracts on the purchase of the gîte and the interactions between the four characters, ones interest never for one minute wanes. The characters are well drawn and believable, one can readily visualise the images Nick creates.
But there is something more to Nick's writing here in Better Than Easy. Over the course of the novels recounting Mark's adventures since 50 Reasons to Say Goodbye the writing has gradually become more contemplative, now it is often introspective and philosophical; signs perhaps of the knocks Mark (or the writer?) has experienced through life. The difficult questions of lies and honesty, fidelity and trust, hypocrisy and commitment are frequently pondered. But that is not to suggest that this is in anyway heavy going, far from it, and by contrast there is much humour, not to mention a few raunchy scenes including a titillatingly interesting encounter in a dingy Paris bar cellar with Mark sandwiched between Tom and an anonymous leather clad German.
We may have been kept waiting for the fourth instalment of Mark's escapades, but it has been more than worth it, Nick has exceeded all expectations. The writing is confident and assured, the plot simple yet the problems complicated. It is an engrossing tale and in typical Nick Alexander fashion we are kept guessing until fast moving finale which way Mark will go; more to the point while we might hope he will make this or that choice, we also have to struggle with the question ourself of what is the right choice; thankfully the matter is very satisfyingly resolved. An immensely enjoyable story, this has to be without question Nick Alexander's best contribution to date.