There are, at this writing, four titles in what, one would hope, will be an ongoing series from Thomson: Gary Cooper, Bette Davis, Humphrey Bogart, and Ingrid Bergman. This review will, if allowed, apply to all of them. As expected, Thomson gets to the heart of the appeal of each of these performer's and, succinctly and acutely (as ever) presents in each brief monograph a portrait of the star better than many a full-length biography. What one would like to know, is: Who chose these stars? Are there more to be added? If so, when? If not, why not? One cannot, for example, believe that Gary Cooper was one of Thomson's first choices, since he treats the performer (one hardly feels Thomson even wants to call him an actor) with something bordering on disdain; granting him his (few) choice roles, while implying that, if the casting couch didn't exist, Cooper would have invented it. One feels that, at the very least, Cary Grant or, even, in his own way, Bob Hope, might have appealed more to Thomson. The same applies, albeit to a lesser extant, to Ingrid Bergman (instead of Barbara Stanwyck, say, or EITHER Hepburn?) At any road: these are fine "brief lives" and, as with ANY work by Thomson, deserve to be in any film buff's library