Before Platoon, before Coming Home, before even Apocalypse Now, there was this film. Made in 1946, it grabbed nearly every major Academy Award in a year where there was plenty of stiff competition. And it's not hard to see why. Dana Andrews gives a riveting performance as the USAF Captain shipped home after the war to a life of menial work in a perfume store. Along the way he meets Frederic March (who won the Oscar for his performance as an upper class banker whose life is changed forever by the war) and a young disabled war veteran with hooks in place of hands. Although the subject is serious, the film has plenty of comedy to keep it light and stop it from becoming downbeat. But the real story is how these men have to cope with being thrust back into a normal, trivial world. It's a subject handled with shocking realism - from Andrews' disturbed nightmares to March's drinking and the disabled hero's depression. One of the film's most powerful scenes is when Andrews strolls through an aircraft graveyard, and we can't help but think he's destined for the same fate. But amid the social comment, there's also a tender love story, a Scrooge-like tale of a banker who gains a conscience, and a story about redemption and hope amid the poverty of post-War America. The film stands up to scrutiny after over sixty years, and reminds us that once upon a time, Hollywood made films for grown-ups too.