sade is truly amazing. possessing the captivating beauty of iman and naomi, more recluse than the artist formerly known as prince and exhibiting musical skills that unite roberta flack and astrud gilberto, sade is a legend in her own time, though we know nothing about her. the mystery that shrouds sade is reflected in the sixteen tracks selected as her best. present are her more popular songs like "smooth operator", "the sweetest taboo" and "no ordinary love", but it would seem that it is not lost on sade that some of her "best" work never saw the light of day, so to speak. true fans of the diva are privy to the sheer beauty of "jezebel", a third-person narrative about inner strength and beauty of a very uncommon streetwalker. similarly, "is it a crime", a jazz-infused song about the longing of a love that is over, but not yet dead, has attained cult status among sade's loyal supporters. the beauty of sade, the group, goes well beyond their front-woman's silky, soaring vocals and the band's undeniable skill. rather, like the spanish group mecano, what keeps fans waiting anxiously for the next release from the less-than-prolific sade is the lyrical depth of the material. ironically, the same thing that has prevented sade from achieving the cursory pop icon status of such stars as madonna and whitney is the same thing that has ensured that her records will always sell rapidly and consistently to fans who yearn for music that dips deep beneath the surface. if you can't be bothered to buy each of sade's albums...well, shame on you...buy this album. if you own all of sade's album...as well you should...buy this one anyway for easy-access to her best work (thus far).