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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Le Poinçonneur Des Lilas | |||
| 2. Du Jazz Dans Le Ravin | |||
| 3. La Recette De L'amour Fou | |||
| 4. L'eau À La Bouche | |||
| 5. La Chanson De Prévert | |||
| 6. Black Trombone | |||
| 7. Baudelaire | |||
| 8. Intoxicated Man | |||
| 9. La Javanaise | |||
| 10. Chez Les Ye Ye | |||
See all 24 tracks on this disc
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| Disc: 2 | |||
| 1. L'anamour | |||
| 2. Sous Le Soleil Exactement | |||
| 3. Les Sucettes | |||
| 4. Elisa | |||
| 5. Ballade De Melody Nelson | |||
| 6. L'hôtel Particulier | |||
| 7. La Décadanse | |||
| 8. Annee Erotique | |||
| 9. Comme Un Boomerang | |||
| 10. Rock Around the Bunker | |||
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See all 22 tracks on this disc
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Product Description
Review
This 47-track retrospective, appearing 20 years after his death, aged 62, persuasively argues that the occlusion of Gainsbourg’s music by Gainsbourg’s personality is a minor outrage. There is a great deal of stunning pop here, clustered on the first of the two discs. Gainsbourg’s swaggering 1960s hits, including Docteur Jekyll et Monsieur Hyde and Qui Est "In" Qui Est "Out", were an under-remarked but significant influence on mid-90s Britpop, especially Pulp, Saint Etienne and Blur at their more stately.
The later songs collected on the second disc are more erratic, but nevertheless compelling. When Gainsbourg embraced self-parody, he did so with characteristic ardour, as on the porn soundtrack sound-alike Sea, Sex and Sun. When he drifted into outright lunacy, he displayed comparable bravado. Among the treasures here is the title-track from his 1975 release Rock Around the Bunker, a deeply peculiar concept album about Nazism on which Gainsbourg concocted camp absurdism from his childhood memories of being Jewish in occupied France.
There is another conventional wisdom about Gainsbourg – that his voice wasn’t up to much, that his greatest moments were those involving his various female muses (Dieu Fumeur De Havanes, with Catherine Deneuve, and his infamous duets with Jane Birkin, are included here). This is also unfair: like his kindred spirits Leonard Cohen and Lee Hazlewood, Gainsbourg found ample room within his limitations, that languid growl secreting deceptive quantities of wit, and even warmth.
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