This collaborative work with the great Terry Callier was an interlude following "Trailer Park", while "Central Reservation" was still gestating. Callier is an icon in folk circles, and Orton celebrates his influence in the "Trailer Park" liner notes. Small wonder, then, that she seems to be having so much fun jamming with him on this release.
Though Orton includes some original tunes on this EP, the middle cuts are the centerpiece. Here, Orton shares vocals and guitar duties with Callier. The result is a burlap collaboration of sweet guitars and plain-jane harmonies. They sound for all the world like they're hanging out in the living room, having a blast. We are lucky enough to watch and listen. The "best bit" is their rendition of Fred Neill's "Dolphins", which I've only ever heard another cover of, that by Linda Ronstadt on the Stone Poneys' "Hand Sown, Home Grown" album. Orton and Callier let the lyrics carry them and they follow along with wonderfully open results.
A common criticism of Orton is that her vocals tend to reediness or wander off-key. Whilst I don't hear the off-key bit much at all, I think the reedy quality to some of her vocals adds to her essential appeal as a "folk" singer. We have become so exposed to slick, highly produced music we seem to forget that most music is organic, hand-made and tends to be messy. The squeak of fingers changing chords, the trail of a note on a last gasp of breath, the sharp inhalation between phrases or notes -- this is the stuff of music. The "rough edges" on these tunes are their beauty. Enjoy!