- Paperback: 160 pages
- Publisher: Dorling Kindersley Publishers Ltd (23 Sep 1999)
- Language English
- ISBN-10: 0751307068
- ISBN-13: 978-0751307061
- Product Dimensions: 29.8 x 25 x 1.4 cm
- Average Customer Review: 4.4 out of 5 stars See all reviews (5 customer reviews)
- Amazon Bestsellers Rank: 430,231 in Books (See Top 100 in Books)
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Product Description
Amazon.co.uk Review
The immediate question that arises with a book entitled 100 Best Album Covers is, of course, "Says who?" Wisely, authors Storm Thorgerson and Aubrey Powell have anticipated such widespread suspicion. In their thorough and amusing introduction, the two former cover designers (of Hipgnosis) go on at length about potentially qualifying factors (innovation, humour, bizarreness, minimalism, audacity) and possible reasons for non-selection (popularity, dull illustration, ugly technique, emotional offensiveness). But, they concede, what it really comes down to is a matter of taste--with a bit of nostalgia thrown into the mix.
In the end, the mysterious (and eternally debatable) selection formula matters not. The history, inspiration, and technical design details provided for each of the 100 covers that made the cut serve as reason enough for their inclusion. Did you know that Led Zeppelin's Houses of the Holy cover was inspired by Arthur C. Clarke's novel, Childhood's End? Or that the burning man on Pink Floyd's Wish You Were Here was actually on fire (and in a bit of danger)? Or that an original idea for Supertramp's Breakfast in America was to depict cereal and milk rolling through the Grand Canyon? Tasty titbits like these, along with quotes from designers, photographers, and the musicians themselves, make this a must-have volume for music fans--yes, even if your personal top 100 covers would constitute an entirely different collection. --Brangien Davis, Amazon.com
Product Description
Other books have already praised the music inside the sleeves of these musical masterpiences, but "DK 100 Best Album Covers" focuses exclusively on 100 of the most striking and lasting images in popular music. Charting the changes and developments in album design since the 1960s, each of the world-famous covers has been specially chosen as a classic document of its time. From the 60s psychedelia of Pink Floyd to the Britpop of Blur, all the covers are reproduced in full colour. Detailed annotations explain the creative genius involved in their production and lively text provides anecdotes about the work of the designers from Andy Warhol to Peter Saville.
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Customer Reviews
Most Helpful Customer Reviews
1 of 1 people found the following review helpful
Format:Paperback
I have the softback edition and I found it interesting to find out more about some of my favourite album covers. I bought this book after seeing an exhibition about Storm Thorgerson and putting his name into a search engine to find out more.
Format:Paperback
With the upsurge in music downloads, the Halcyon days of the vinyl album seem a distant memory. What a sad loss. This book reminds you why,when you bought music, you really got 'bang for your buck'. Eye-catching artwork, clever use of imagery to put the music into context, often thought provoking, the album cover was an intrinsic part of your music experience.
This book gives a selection of the author's favourite artwork, setting out their criteria as to what makes good design. You may not agree with all of their choices, but each cover has a story to tell, often peppered with 'I never noticed that before' moments.
From the brilliant,ethereal cover of the album 'Celestial', by Heavenly bodies, designed using layers of tissue paper in a packing case, that would put a lot of modern computer generated efforts to shame, to the simple homage to Elvis Presley in the design of 'London calling' by the Clash, this eclectic mix makes great reading.
Anecdotes from the artists,designers and musicians help weave a fascinating insight into the lost world of graphic design in music.
The kids today are really mising out........
This book gives a selection of the author's favourite artwork, setting out their criteria as to what makes good design. You may not agree with all of their choices, but each cover has a story to tell, often peppered with 'I never noticed that before' moments.
From the brilliant,ethereal cover of the album 'Celestial', by Heavenly bodies, designed using layers of tissue paper in a packing case, that would put a lot of modern computer generated efforts to shame, to the simple homage to Elvis Presley in the design of 'London calling' by the Clash, this eclectic mix makes great reading.
Anecdotes from the artists,designers and musicians help weave a fascinating insight into the lost world of graphic design in music.
The kids today are really mising out........
Format:Paperback|Amazon Verified Purchase
This book is very much in the Dorling Kindersley mould, if you are familiar with their books. They have a slightly cold and mechanical way of taking a subject and exploring it without passion. This book is no exception to this trend. Loads of detail, very clearly illustrated and a bit like a scientific dissertation.
100 of the "best", as chosen by Storm Thorgerson and Aubrey Powell, are nicely illustrated and are surrounded with small boxes containing information about key aspects of the design. Therein lies the problem. None of the boxes allow either of the authors to really get going as to what they feel about the design. There are no emotive rants, just cold facts. The facts are interesting and help to inform an appreciation of the designers choice of actions/processes undertaken.
The introduction to the main body of the book is thoroughly enjoyable and is enlightening, because the two authors have space to rant. There is a great story about Rod Stewart, riots, machetes, scheming managers and fishing which only serves to make the lack of these storys elsewhere more obvious. More stories like this one would have made the book a much more all round enjoyable read.
Plus points - good large images, key facts stated, genuinely talented and knowledgeable authors, wide range of sleeves chosen(50's right up to the 90's, Zappa to Prince), not too many sleeves printed across the spine, physically well put together book(even the paperback version I have), nice bits of anorak detail - font selection, methods of painting/printing, construction of props etc.....
Bad points - some images printed across the spine, not enough emotive input or human aspect to the process, clinical in tone
I have been spoiled by having read For The Love of Vinyl by the same authors before I read this book, so if you have not read the other book bear in mind that I have seen what these two can do when let loose on their own work.
Not the best book on album design, that is For The Love Of Vinyl, but an informative, great value for money and straightforward read.
100 of the "best", as chosen by Storm Thorgerson and Aubrey Powell, are nicely illustrated and are surrounded with small boxes containing information about key aspects of the design. Therein lies the problem. None of the boxes allow either of the authors to really get going as to what they feel about the design. There are no emotive rants, just cold facts. The facts are interesting and help to inform an appreciation of the designers choice of actions/processes undertaken.
The introduction to the main body of the book is thoroughly enjoyable and is enlightening, because the two authors have space to rant. There is a great story about Rod Stewart, riots, machetes, scheming managers and fishing which only serves to make the lack of these storys elsewhere more obvious. More stories like this one would have made the book a much more all round enjoyable read.
Plus points - good large images, key facts stated, genuinely talented and knowledgeable authors, wide range of sleeves chosen(50's right up to the 90's, Zappa to Prince), not too many sleeves printed across the spine, physically well put together book(even the paperback version I have), nice bits of anorak detail - font selection, methods of painting/printing, construction of props etc.....
Bad points - some images printed across the spine, not enough emotive input or human aspect to the process, clinical in tone
I have been spoiled by having read For The Love of Vinyl by the same authors before I read this book, so if you have not read the other book bear in mind that I have seen what these two can do when let loose on their own work.
Not the best book on album design, that is For The Love Of Vinyl, but an informative, great value for money and straightforward read.
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Most Recent Customer Reviews
Fair effort.
Its not a bad book but I would recommend you go for something more complete like Masque by Mark Wilkinson.
Published on 9 April 2001
Brilliant book on all the best album covers
I rate this book very high in my view as it also goes into the way the covers were thought out and set out,one of the best books i have seen and includes the best Album of all time... Read more
Published on 11 Feb 2001 by wheeler@trucking.freeserve.co.uk
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