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A second installment of an epic historical trilogy finds the people of Weimar Berlin seeking answers in the aftermath of 1929's violent May Day demonstration, an upheaval that also shapes the city's nightlife and finds its participants witnessing the approach of World War II and the construction of a dividing wall. Original.
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Most Helpful Customer Reviews
Format:Paperback
story and drawings are first class as said before the books draw you in to this period of life in berlin.a must read
Format:Paperback
This collected volume (issues 9-16) starts off with a dream sequence as it introduces a new group of characters. They are the 'Cocoa Kids', an American jazz band who are touring Europe. This marks an addition to the themes of the previous volume (City of Stones). With the Cocoa Kids arrival the cultural and social life of Berlin takes a more central role than in previous stories. Whilst it does add to the scale, and highlights the meticulous research once again, it is not without some problems.
For me, the individual characters of the band never quite come to life. The dialogue and characterisation can be quite sparse and flat. It is though Mr. Lutes was aiming for a realistic depiction of black musicians and their experiences in Berlin but in the process missed a vital something. Often I thought their relevance was more to highlight the intrinsic racist elements of a society heading towards fascism, rather than as individuals with their own story. An example of where it does work on its own terms is a delightful scene where the band meets the scintillating Josephine Baker. This is sharply written and comic.
The depiction of music in written and drawn forms is a challenge for the artist and the reader. Unless you are a dedicated fan of American jazz bands of the era; some of the scenes with the band playing are hard to decipher in terms of what is being played and why it creates such an impact on the audience. Perhaps a footnote on the inspiration might have helped a little.The denouement of the band's story in this volume also feels a little too contrived.
Where it all does come satisfyingly together is in the contrasting stories of the post-May Day massacre, which the previous book ended on, and the Berlin nightlife of drugs, gender play and sex. With the nightlife the book dives into scenes that are adjacent to Christopher Isherwood's Berlin years. Marthe Müller's introduction to the hedonistic world of drugs and sex and private clubs is depicted quite clearly (eroticism yes, pornography no). And yet nothing is quite how it seems under the guiding hand of the oh so archly world-weary Margarethe von Falkensee. This provides a heightened contrast to the story of Silvia Braun who is living on the streets after the death of her mother. Silvia's introduction to Pavel, a Jewish man making a living off scrap scavenging, leads to two of the most poignant scenes in the book and the foreshadowing of what will happen in later years.
Th glitter and the grime are well-matched. The tension in this volume has been raised admirably. I can't help but recommend it for its power and what it achieves over and above any flaws.
For me, the individual characters of the band never quite come to life. The dialogue and characterisation can be quite sparse and flat. It is though Mr. Lutes was aiming for a realistic depiction of black musicians and their experiences in Berlin but in the process missed a vital something. Often I thought their relevance was more to highlight the intrinsic racist elements of a society heading towards fascism, rather than as individuals with their own story. An example of where it does work on its own terms is a delightful scene where the band meets the scintillating Josephine Baker. This is sharply written and comic.
The depiction of music in written and drawn forms is a challenge for the artist and the reader. Unless you are a dedicated fan of American jazz bands of the era; some of the scenes with the band playing are hard to decipher in terms of what is being played and why it creates such an impact on the audience. Perhaps a footnote on the inspiration might have helped a little.The denouement of the band's story in this volume also feels a little too contrived.
Where it all does come satisfyingly together is in the contrasting stories of the post-May Day massacre, which the previous book ended on, and the Berlin nightlife of drugs, gender play and sex. With the nightlife the book dives into scenes that are adjacent to Christopher Isherwood's Berlin years. Marthe Müller's introduction to the hedonistic world of drugs and sex and private clubs is depicted quite clearly (eroticism yes, pornography no). And yet nothing is quite how it seems under the guiding hand of the oh so archly world-weary Margarethe von Falkensee. This provides a heightened contrast to the story of Silvia Braun who is living on the streets after the death of her mother. Silvia's introduction to Pavel, a Jewish man making a living off scrap scavenging, leads to two of the most poignant scenes in the book and the foreshadowing of what will happen in later years.
Th glitter and the grime are well-matched. The tension in this volume has been raised admirably. I can't help but recommend it for its power and what it achieves over and above any flaws.
Format:Paperback
Having reread this and its prequel (City of Stone) confirms my view that the Berlin series are among of the best of all graphic novels. The writing is intelligent and subtle, the characters feel real and authentic, the structure is complex and intriguing. Above all, Lutes has done a superb job of historical research creating pitch perfect accuracy in every image and storyline. His draughtsmanship is superb and even better than the first volume and his drawings in the European clean line style fit the story perfectly. I cannot recommend these books strongly enough.
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Most Recent Customer Reviews
City of Stone got better
When I first read City of Stone I said Lutes could not create something better; well, I take that back.
Both me and all my friends were compelled by this second volume. Read more
Both me and all my friends were compelled by this second volume. Read more
Published on 6 Mar 2010 by A. Simits
Berlin, city of smoke.
awesome book, animated and historical, gives a very realistic image of Berlin just before the ww2, including the art and music as well as the political and social situation. Read more
Published on 16 Feb 2010 by Ms. Mehrnoosh Sadrzadeh
beautiful artwork, engrossing story
Jason Lutes' Berlin series is a very unusual graphic novel. Many artists research thoroughly their subject before their pen ever touches paper, but Lutes has taken this aspect of... Read more
Published on 24 Jun 2009 by N. Rossis
Intriguing, exhilarating, dizzying and disquieting
The multiple story strands from the first volume criss-cross in every direction, threaten to explode at any moment into a myriad of fragments, and spin around each other in an ever... Read more
Published on 17 Feb 2009 by AJ Spencer
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