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Berg: Lulu - Glyndebourne Festival Opera [DVD] [2004]
 
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Berg: Lulu - Glyndebourne Festival Opera [DVD] [2004]

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4.8 out of 5 stars  See all reviews (5 customer reviews)
Price: £17.99 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

Berg: Lulu - Glyndebourne Festival Opera [DVD] [2004] + Berg : Wozzeck [DVD] [2008] + Bartok - Bluebeard's Castle (Solti, Lpo) [DVD] [2008]
Price For All Three: £45.15

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Product details

  • Format: PAL
  • Language German
  • Subtitles: German, English, French, Spanish, Japanese
  • Region: Region 2 (This DVD may not be viewable outside Europe. Read more about DVD formats.)
  • Aspect Ratio: 4:3 - 1.33:1
  • Number of discs: 1
  • Classification: Exempt
  • Studio: Wmv
  • DVD Release Date: 23 Feb 2004
  • Run Time: 176 minutes
  • Average Customer Review: 4.8 out of 5 stars  See all reviews (5 customer reviews)
  • ASIN: B000189L10
  • Amazon Bestsellers Rank: 24,624 in Film & TV (See Top 100 in Film & TV)

Reviews

Amazon.co.uk Review

Alban Berg's second and last opera Lulu is one of the monuments of modernism, constructed around serial technique and containing scenes conceived of as Sonata-form, Suite and so on. The bliss of Andrew Davis's conducting in this classic Glyndebourne production is that we forget all of this--Davis doesn't gloss over the music's intellectual content, but that's not what we think about as we watch and listen. Part of the production's strength is the prodigious performance by Christine Schafer as Lulu--for once we believe in the character's sexual energy and power; and Schafer makes her real enough as a person that we largely forget the work's intrinsic misogyny. The rest of the cast are admirable too: Norman Bailey brings something perversely sweet to the disreputable painter Schigolch; Kathryn Harries makes the dying words of Lulu's lesbian lover Geschwitz one of the work's lyric high points; David Kuebler is equally powerful as Alwa. The final duet between Lulu and her destroyer Jack the Ripper is one of Wolfgang Schone's great moments, but he is equally good as Dr Schon, the man Lulu marries and kills. This is a performance of energy and beauty, matched by a simple but effective production.

On the DVD Lulu on disc is presented in disappointingly in NTSC format with a 4:3 picture ratio. Fortunately, the Dolby 2.0 digital sound is ideal for the fine detail of this complex score and these nuanced performances. There are subtitles in English, French, German, Spanish and Japanese. --Roz Kaveney

DVD Description

Cast:

  • Lulu -- Christine Schafer
  • Countess Geschwitz -- Kathryn Harries
  • Dr Shon/Jack the Ripper -- Wolfgang Schone
  • Patricia Bardon, Jonathan Veira, David Kuebler, Norman Bailey, Donald Maxwell, Neil Jenkins

London Philharmonic Orchestra conducted by Andrew Davis
Stage producer: Graham Vick

Graham Vicks' 1996 Glyndebourne Festival Opera production, starring Christine Schafer and conducted by Andrew Davis.



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Most Helpful Customer Reviews
22 of 22 people found the following review helpful
A stunner. 22 Dec 2004
It might be said that the 20th Century brought along opera's entry into the adult age. Little by little, operas started treating "delicate" subjects in a more serious way, one the largely victorian 19th century never dreamt of. Perhaps the trend was started by Richard Strauss, first with Salome and later on with Elektra. And others followed gladly suit, Schönberg with his Moses & Aron, depicting on stage a savage orgy that even today, almost three quarters of a century later, stage directors have a hard time devising tastefully (and perhaps tactfully). Berg was no exception: the 20's saw his Wozzeck and its tormented characters, the 30's this, his unfinished crown jewel with its decadent world of wealth, lust and manipulation that is given here, as is now customary, in the Cerha completion of the last act that Berg's untimely death prevented the composer from finishing.

At last, this production allows for a credible stage Lulu; the Graham Vick production, filmed here almost ten years ago at Glyndebourne's then new theatre does away with the usual overaged singer attempting a rôle that is inextricably linked like few others to the visual image of its portrayer and has for us the excellent Christine Schäfer, not just looking the part (her young, attractive looks undoubtedly helped) but also despatching its fiendishly difficulty with ease and applomb.

The other parts are also effectively cast, rendering this a winning all-round team effort. Katryn Harries is a superior Geschwitz, David Kuebler an intriguing Alwa. The veteran Norman Bailey appears as Schigolch.

The London Philharmonic, not an ensemble one usually associates with 20th century music, play stupendously and are very well conducted by an Andrew Davis that shows an absolute understanding of the score. Vicks's staging encompasses all three acts with minimum changes (more to do with objects on stage rather than actual scenery modifications) and I've read some critics in UK periodicals whose authors at the time (summer of 1996) did not seem to like it much. Granted, there's no actual displaying of the painter's atélier in Act 1 or Paris saloon, London street, etc. in other parts of the work, but to me it flows well; the work is so well directed you don't actually need scenery changes.

This video (in its VHS incarnation, back in 1997) deservedly won the prestigious Award for Best Video granted by the well-known Gramophone magazine in the UK, and may we say very much so especially in this new, DVD edition.

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11 of 11 people found the following review helpful
A stunner 6 Jun 2005
By A Customer
I agree entirely with the previous reviewer: this peformance is a stunner. Schaefer beautifully captures the outward changes in Lulu as the drama progresses, from sex kitten to dominatrix and thence to whore, demonstrating a talent as actress that is quite a revelation to those who know her more as an outstanding lieder singer!! The stage management is also inspired: the concentric circles of the staging reflecting the circular pattern of Lulu's own rise and fall; the ingenious staircase, creating a third dimension when it is needed; the creation of a party atmosphere in the twinkling of an eye; the horror of the stews in which Lulu meets her fate at the hands of Jack the Ripper. I could go on at length, but I want to single out the performance of the veteran Norman Bailey, still going strong after a long and distinguished career and making a suitably seedy Schigolch, a symbol of Lulu's shady past and wretched demise at the end of the opera. In short, a brilliant DVD that makes Berg's admittedly difficult music much more approachable.
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11 of 12 people found the following review helpful
Perfect!!! 15 Dec 2007
Lulu is a very complex work. This DVD makes justice to all of the complexness of the work: musical and dramatic. First of all: Christine Schäfer. Since Teresa Stratas she is the most impressive singer to play this difficult role. As she is a genuine coloratura , Schäfer can handle with all these crazy cadenzas with naturality. And her personification of Lulu is as ambigous as Wedekind( the play ' s writer) has though. But it isn' t only Schäfer that is fantastic in this DVD. Wolfgang Schöne is a convincent Schon and Jack the riper.Stephan Drakulich as The Painter and the Neger is very sexy and exciting . The old wagnerian bass-baritone Norman Bailey is a moving and repulsive Schigolch (and yet in a very good voice).Alwa, one of the most demanding tenor roles in all lyric repertoire, is very well sung by David Kuebler, and his naive looking is very moving during all the performance.Kathryn Harries as Geschwitz is fantastic too. Her final singing is a golden key for this performance. Far from one analytical aproach, Andrew Davies made a romantic and effective reading of the score. The London Philharmonic is in a special day, sounding realy as a great orchestra. The violin and piano solos, at the first scene of act three are very well played.
The staging, transposed for a modern time ( Lulu is atemporal) is fantastic by the simplicitiy of the sets and the coherence (the steps marking Lulu's ascension and fall !!!). Sexuality flows over all the singers.But always with naturality.And I would like to remark also that this mise en scene has a fine movie during the intermezzo of the second act, folowing all the instructions of Berg.
For this ( low) price you will have one of the best readings of the score , only comparable with that of Boulez (1978), and one very special staging of one of the most important opera of the history, maybe .....the last great opera.
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