- Hardcover: 207 pages
- Publisher: Oxford University Press Inc (13 Feb 1997)
- Language English
- ISBN-10: 0195091302
- ISBN-13: 978-0195091304
- Product Dimensions: 21.7 x 14.9 x 2.1 cm
- Amazon Bestsellers Rank: 3,723,667 in Books (See Top 100 in Books)
- See Complete Table of Contents
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Review
"[The book] reflects a process of maturity that has gone beyond good-girl anger at parents and teachers ... Miller's use of the memoir form offers a new model of serious criticism, and a way of imagining community through 'bonds of paper' as well as 'bonds of blood.'" --Elaine Showalter, London Review of Books "Miller's book is a discerning study of a contemporary subgenre: the memoir about dead parents... Miller is brilliant at unravelling ... complicated and agonising tangles of fairness and anger. The use of memoir to convert deep veins of resetnment into acceptance, if not forgiveness, is the core of Miller's book ... " --Alix Kates Shulman, Women's Review of Books With her own experimental form--part criticism, part autobiography--Nancy K. Miller reminds us that when we read stories about other people's lives, we see our own lives in new ways and rewrite our own stories." --Alice Kaplan, Duke University "Nancy K. Miller counterpoints lyrical introspection about her own grief with critical insight into contemporary memoirs. In the process she produces astonishingly poignant revelations about what it means to live with a dying parent, how it feels to survive after a great loss." --Sandra M. Gilbert and Susan Gubar co-authors of The Madwoman in the Attic, No Man's Land, and The Norton Anthology of Literature by Women "In Bequest and Betrayal, an esteemed literary scholar speaks to a wider audience, reminding us that at its most basic and most powerful, reading is not just what we do with books, but how we live our lives, trying always to learn from the stories we find ourselves in." --Jane Gallop, University of Wisconsin, Milwaukee
--This text refers to the
Paperback
edition.
Product Description
Using what is now called autobiographical or narrative criticism, this study looks at a mix of contemporary memoirs in which the death of a parent figures largely, such as Philip Roth's "Patrimony", Simone de Beauvoir's "A Very Easy Death", Art Spiegelman's "Maus", Annie Ernaux's "A Woman's Story" and Susan Cheever's "Home Before Dark". Noting that a parent's death plays a central role in these and other memoirs, it looks at the relations between parent and child, interweaving autobiographical material about the author's own parents' deaths throughout the book.
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First Sentence
The origins of this book are inseparable from the loss of my parents. Read the first page
Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
The origins of this book are inseparable from the loss of my parents. Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Back Cover
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2 reviews
1 of 1 people found the following review helpful
untitled
26 Jan 2001
Format:Paperback
This is the first work of literary criticism that I read like a novel; I simply couldn't put it down. By combining literary criticism and autobiography, Miller pushes the boundaries of literary criticism in productive ways and forces us to rethink the field. Finally a book I can recommend and give to all my friends, regardless of whether they are academics.
1 of 1 people found the following review helpful
Scholarly & readable-- what a combination!
16 Sep 2000
Format:Hardcover
Nancy K. Miller is one of my favorite contemporary feminist theorists. This study of several "Memoirs" written by adult children of deceased parents kept me interested in ways that scholarship often does not (I usually read it for work, not pleasure-- this book combined the two). With this book, you should also read Maus : A Survivor's Tale by Art Spiegelman, because one of the most fascinating chapters is a study of Spiegelman's gripping Holocaust narratives. Autobiography shapes all writing in ways that critics are really just beginning to explore-- Dr. Miller is at the forefront of this field and deservedly so.
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