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A dead child, a runaway slave, a terrible secret--these are the central concerns of Toni Morrison's Pulitzer Prize-winning Beloved. Morrison, a Nobel laureate, has written many fine novels, including Song of Solomon, The Bluest Eye, and Paradise--but Beloved is arguably her best. To modern readers, antebellum slavery is a subject so familiar that it is almost impossible to render its horrors in a way that seems neither clichéd nor melodramatic. Rapes, beatings, murders, and mutilations are recounted here, but they belong to characters so precisely drawn that the tragedy remains individual, terrifying to us because it is terrifying to the sufferer. And Morrison is master of the telling detail: in the bit, for example, a punishing piece of headgear used to discipline recalcitrant slaves, she manages to encapsulate all of slavery's many cruelties into one apt symbol--a device that deprives its wearer of speech. "Days after it was taken out, goose fat was rubbed on the corners of the mouth but nothing to soothe the tongue or take the wildness out of the eye." Most importantly, the language here, while often lyrical, is never overheated. Even as she recalls the cruelties visited upon her while a slave, Sethe is evocative without being overemotional: "Add my husband to it, watching, above me in the loft--hiding close by--the one place he thought no one would look for him, looking down on what I couldn't look at at all. And not stopping them--looking and letting it happen.... And if he was that broken then, then he is also and certainly dead now." Even the supernatural is treated as an ordinary fact of life: "Not a house in the country ain't packed to its rafters with some dead Negro's grief. We lucky this ghost is a baby," comments Sethe's mother-in-law.
Beloved is a dense, complex novel that yields up its secrets one by one. As Morrison takes us deeper into Sethe's history and her memories, the horrifying circumstances of her baby's death start to make terrible sense. And as past meets present in the shape of a mysterious young woman about the same age as Sethe's daughter would have been, the narrative builds inexorably to its powerful, painful conclusion. Beloved may well be the defining novel of slavery in America, the one that all others will be measured by. --Alix Wilber
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Most Helpful Customer Reviews
26 of 27 people found the following review helpful:
5.0 out of 5 stars
Lasting and Luminous,
By Teacher Girl (London) - See all my reviews
This review is from: Beloved (Vintage Classics) (Paperback)
I had never heard of Toni Morrison before this book was suggested as the next read at my book club, although she has been honoured with a Nobel Prize for Literature. After reading "Beloved" I can see why she won the Pulitzer Prize for this haunting novel. The book is written in a style which is at first hard to get used to, and I found the first eighty pages or so challenging. However, the beauty and poetry of the narrative is penetrating, and perfectly contrasts with the brutality of the plot.
The novel revolves around Sethe: her struggle for freedom from the oppressive and highly disturbing life that she leads as a slave, and the shocking and heartbreaking decision she comes to in order to 'save' her children from such a life. When a stranger arrives at her door the lives of Sethe and those closest to her are changed forever. "Beloved" is a novel which has stayed with me long after I read the last page, and is a must-read for any serious literature lover.
8 of 8 people found the following review helpful:
5.0 out of 5 stars
"That woman is crazy, [but] ain't we all?",
By
This review is from: Beloved (Paperback)
In this Pulitzer Prize-winning novel of 1988, Toni Morrison frees herself from the bonds of traditional narrative and establishes an independent style, just as her characters have freed themselves from the horrors of slavery and escaped from Kentucky to Ohio. Revealing the story of Sethe and her family as they survive the brutality of the farm, only to encounter torments even more punishing than whippings after they escape, Morrison presents scenes in a seemingly random order, each scene revealing some aspect of life for Sethe, her boys, her dead baby Beloved, and the new baby Denver, both in the past and in the present. Moving back and forth, around, and inside out through Sethe's recollections, she gradually reveals Sethe's story to the reader, its horror increasing as the reader makes the connections which turn disconnected scenes into a powerful and harrowing chronology.
As the novel opens, Sethe and Denver have lived in #124, a house in Ohio, for eighteen years, refusing to socialize and enjoying no company. When Paul D. Garner, one of the Sweet Home men and a friend of her long-missing husband, arrives on her doorstep and moves in, Sethe slowly reveals her long-buried nightmares, and the two share their stories of the events leading up to their escape. Most haunting to Sethe is the death of her young daughter Beloved, shortly after the escape from the farm, though the reader does not know for many pages the shocking manner of her death. When a ghostly figure who calls herself Beloved arrives at #124, shortly after Paul D., Morrison creates mystery and a heart-stoppingly tense atmosphere, when Beloved, too, moves in. As Beloved gradually takes over the household and seems to demand and then possess Sethe's soul, the sorrow which has burdened Sethe seems close to breaking her. The sadism of some slave-owners, the devices used to torture, and the desperate measures some slaves took to protect themselves and their loved ones come fully alive here, the horrors growing as the reader gradually discovers the real source of Sethe's torment. By forcing the reader to make the connections, instead of spelling out details in a traditional narrative, Morrison strengthens the impact of the novel and its brutal revelations. Symbols of water, rain, snow, and ice connect the disparate scenes, and the use of shadows and the ghostly character of Beloved keep the reader on tenterhooks until the action is eventually resolved. A powerful, atmospheric, and shocking novel, Beloved is also a searing indictment of slavery and the damage it has done to the fabric of life, damage that cannot be repaired until it is fully recognized through novels such as this. Mary Whipple
6 of 6 people found the following review helpful:
5.0 out of 5 stars
Read in a quiet room,
By
This review is from: Beloved (Paperback)
As the title suggests; read in a quiet room.
Many reviewers have mentioned the quality of writing of this outstanding novel but it is best to read it away from distractions and noise as you may get lost. A book worthy of its place on my shelf and one which will be re-read several times in the future.
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