If you have your own project studio then this book will be invaluable. Lots of advice on equipment, mics etc. However, unless you are about to buy one, constant advice about £1000+ microphones soon palls. The author asks virtually the same questions of thirty-odd producers, which is great inasmuch as you can readily compare their answers but it does not make for an enjoyable read. If you read this book all in one go then it soon becomes like reading a technical manual - full of useful information but not a lot of fun. If you are more interested in the subject as a whole I can highly recommend Good Vibrations by Mark Cunningham, a history of record production that is chock full of anecdotes, interviews and is unputdownable!