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Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture (Music in American Life)
 
 
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Behind the Burnt Cork Mask: Early Blackface Minstrelsy and Antebellum American Popular Culture (Music in American Life) [Paperback]

William J. Mahar

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Product details

  • Paperback: 472 pages
  • Publisher: University of Illinois Press (1 Dec 1998)
  • Language English
  • ISBN-10: 0252066960
  • ISBN-13: 978-0252066962
  • Product Dimensions: 22.6 x 15.2 x 2.6 cm
  • Amazon Bestsellers Rank: 1,947,455 in Books (See Top 100 in Books)

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William J. Mahar
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Product Description

Review

"Make[s] available much valuable and fascinating material found nowhere else in the literature on blackface minstrelsy, so much so that Behind the Burnt Cork Mask can itself serve as a primary source for further research." -- Charles Hamm, Journal of the American Musicological Society

Product Description

The songs, dances, jokes, parodies, spoofs, and skits of blackface groups such as the Virginia Minstrels and Buckley's Serenaders became wildly popular in antebellum America. Behind the Burnt Cork Mask not only explores the racist practices of these entertainers but considers their performances as troubled representations of ethnicity, class, gender, and culture in the nineteenth century. William J. Mahar's unprecedented archival study of playbills, newspapers, sketches, monologues, and music engages new sources previously not considered in twentieth-century scholarship. More than any other study of its kind, Behind the Burnt Cork Mask investigates the relationships between blackface comedy and other Western genres and traditions; between the music of minstrel shows and its European sources; and between "popular" and "elite" constructions of culture. By locating minstrel performances within their complex sites of production, Mahar offers a significant reassessment of the historiography of the field. Behind the Burnt Cork Mask promises to redefine the study of blackface minstrelsy, charting new directions for future inquiries by scholars in American studies, popular culture, and musicology.

Inside This Book (Learn More)
First Sentence
Blackface minstrelsy was "the national art of its moment ... the soundtrack for the American 1848." Read the first page
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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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