I, like most people coming to Carver late, had heard about him before reading him, so that his reputation cast a big shadow over his work. I read "What we talk about...", "Will you please be quiet please", and "Short Cuts", and while some stories pleased me, I couldn't quite see what the fuss was about. The style was nice, the writing sharp and striking, but the plots were non-existent. The stories were little more than snapshots, and left you feeling they were nice as far as they went but didn't really go anywhere. There were occasional exceptions, but overall, I was left slightly disappointed. when i read that lish had cut so much out of his stories, and that originally they offered much more story, then i got interested. As I have said, i enjoyed the style, so I thought that maybe, this new collection might be more up my street.
Well it was. This is one of the finest collections of short stories I have ever read. I love punchy short stories, about people in the modern world, tales of urban fiction, if you will - stories I can identify with: people feeling a bit lost and insecure, who drink too much, who don't really know what they're meant to be doing, but kind of just muddle through and try and make sense of it all. I love stories by Bukowski, by Richard Yates, by Hemingway. These are at least on a par with those. If you like that sort of thing, you'll love this.
I'm fully aware of Carver's reputation that he carved (arf!) with Lish's help. Some people have even said this book shows how great Lish was, and how, left alone, Carver waffles on and loses his cutting edge. Well, I have read with and without, and I couldn't disagree more. This is short story writing at its finest, and I will be tracking down everything else of his that I can find. In particular, "Why Don't You Dance" is amazing (one of the ones I loved in the original actually, as it is one of the less heavily edited ones).
This comes as fully recommended as I can recommend anything.