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Beggar's Banquet [Original recording remastered, Hybrid SACD]

The Rolling Stones Audio CD
4.7 out of 5 stars  See all reviews (60 customer reviews)

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The Rolling Stones were formed in London in April 1962 by Brian Jones (guitar, harmonica), Ian Stewart (piano), Mick Jagger (lead vocals, harmonica, guitar), and Keith Richards (guitar, vocals). Bassist Bill Wyman and drummer Charlie Watts completed the early line-up. R&B and blues cover songs dominated the Rolling Stones' early material, but their repertoire has always included rock ... Read more in Amazon's The Rolling Stones Store

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Frequently Bought Together

Beggar's Banquet + Let It Bleed + Sticky Fingers
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  • Let It Bleed £11.78
  • Sticky Fingers £8.53

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Product details

  • Audio CD (22 Nov 2002)
  • Number of Discs: 1
  • Format: Original recording remastered, Hybrid SACD
  • Label: Abkco
  • ASIN: B00006LSTA
  • Other Editions: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (60 customer reviews)
  • Amazon Bestsellers Rank: 93,686 in Music (See Top 100 in Music)

1. Sympathy For The Devil
2. No Expectations
3. Dear Doctor
4. Parachute Woman
5. Jigsaw Puzzle
6. Street Fighting Man
7. Prodigal Son
8. Stray Cat Blues
9. Factory Girl
10. Salt Of The Earth

Product Description

This product is a hybrid Super Audio CD (SACD) and has been encoded with two layers: one is a normal CD program and the other is an SACD of the same repertoire. The product is playable on both SACD-compatible machines as well as standard CD players.

Customer Reviews

Most Helpful Customer Reviews
4 of 4 people found the following review helpful
5.0 out of 5 stars A classic banquet from 1968 18 Aug 2013
By The Guardian TOP 50 REVIEWER VINE VOICE
Format:Audio CD
After the 1967 pop-psychedelic `Satanic Majesties' project, the Stones returned to their rock/blues form in style with `Beggars Banquet' featuring some storming tracks which subsequently became all-time concert favourites. BB introduced the `main sequence' of classic Rolling Stones albums including `Let it Bleed', `Sticky Fingers' and the epic `Exile on Main Street'. BB was also the last time Brian Jones recorded with the band, though his contributions to the album are sporadic and generally unmemorable because for much of the time, he failed to show up at the studio.

The opener `Sympathy for the Devil' sets the tone with ironic and edgy lyrics sung from the Devil's point of view, backed by a simple samba rhythm played on congas and vocal `whoops' to give it a primitive, raw feel. The high standard never lets up, with `No Expectations' the sole track where Jones' contribution really shines as he plays some mean slide guitar.

There are no fillers on this collection but the defining track is `Street Fighting Man' which came to embody the spirit of student rebellion in 1968, and even now is often deployed as a soundtrack for film pieces about the political unrest of `summer 68'. In 40 years, there has probably not been a single live stones concert where SFM has not been performed. Other highlights are the R&B `Dear Doctor', the raunchy `Stray Cat Blues' with its overtly sexual lyrics, and the folk-themed `Factory Girl'.

On BB the Stones finally found their definitive style as composers and performed with a new maturity & confidence. It still sounds fresh even in the 21st century, and is perennially voted into the `top 100 greatest albums of all time.
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12 of 14 people found the following review helpful
Format:Audio CD
Beggar's Banquet is a great album that I'm only recently beginning to appreciate, despite the fact that I first bought it in 2003. I'm no great fan of The Stones, as yet (always preferred the Kinks when it comes to 60's British rock) but I can certainly understand why their peak albums, such as Let It Bleed, Sticky Fingers and this, are so well respected, with Mick and Keith really creating a melting pot of different rock n' roll elements that are advanced upon wonderfully by the other members of the band.

The overall style of the album is loose rhythm and blues, with nods towards country, folk and bluegrass thrown in for good measure. There's also that legendary opening track, Sympathy For The Devil, a song that has been covered, sampled and trotted out onto the soundtracks of so many films (most notably, Interview With The Vampire) that it must be recognisable even to people who think they've never heard the Rolling Stones in their life. From that exotic and sexually charged opening epic, the album moves into the more obvious country-inflected rhythm and blues numbers (the standouts amongst them including No Expectations, Parachute Woman and the immense Street Fighting Man). Jigsaw Puzzle is a nice piece of epic blues-rock with a great overall performance from the band and Jagger on fine vocal form, whilst the later Prodigal Son (a song credited to Rev. Wilkins) is a disorienting piece of carnival blues-rock in the same vein as Dylan's Rainy Day Women No's 12 & 35 from a few years before.

Stray Cat Blues is a great piece of rock and roll in the traditional sense of the word; with those swaggering vocals leading a top-notch band performance in which every member of the group seemed to be playing at their absolute peak.
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2 of 2 people found the following review helpful
5.0 out of 5 stars worth buying again!!!! 3 Nov 2012
Format:Audio CD
This is a brilliant album and contains some of the absolute best Stones tracks, not all that well known. Having seen them talk about Brian's brilliant and probably last contribution in No Expectations in the new video Crossfire Hurricane, I got out my vinyl only, to my horror, to find a scratch on it. Aaaaargh. Just bought it on CD along with Let it Bleed, another absolute classic with brilliant tracks not all usually included in compilations. Both recommended. And Crossfire Hurricane when it comes out. Compensating myself for failing to get Stones ticket!!!!
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1 of 1 people found the following review helpful
5.0 out of 5 stars A Must Hear! 11 Nov 1999
By A Customer
Format:Audio CD
I remember getting in trouble for comparing this album with later efforts from the Grateful Dead. Whether you agree or not, this is a must hear! "No Expectations" features some fine slide from Brian and some nice bass lines from Bill. Keith sings his 1st solo on the 1st verse of "Salt of the Earth" (a song which starts out slow and mellow and winds up fast and raucous) and features a cool guitar solo at the end of "Stray Cat Blues". Charlie's drumming is at his finest on "Street Fighting Man". Mick is at his most poetic on "Jigsaw Puzzle".
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5.0 out of 5 stars Back to Basics 29 Dec 2008
Format:Audio CD
In a year when the big guns of the British music scene were releasing some of their finest works, The Rolling Stones in 1968 took a step back from the Psychedelia that the band had dipped their toe into with Their Satanic Majesties Request, and instead opted to return to the style of music they found more comfortable, the Blues.

In 1968, Beggars Banquet was released on the Decca record label. It marked a return to the essence of what Keith Richards and Mick Jagger are all about. With Beggars Banquet they returned to the sound that got them into music in the first place, demonstrating a passion and purpose to their writing, which I think to some extent, was missing from their 1967 release. It also marked the end of Brian Jones fully contributing to a Rolling Stones album.

Produced by Brooklyn born Jimmy Miller, producer for great Blues connoisseurs The Spencer Davis Group as well as later landmark Rolling Stones albums, the sound on Beggars Banquet is very primal in nature and could be straight from 1930's Chicago, with many of the songs featuring sliding acoustic elements like No Expectations and the unbelievably underrated Jigsaw Puzzle

There are some Rock and Roll numbers to be had on this record as well. Whilst John Lennon was promoting a more passive revolution in the troubling times of 1968, Mick Jagger was right in the thick of London's antiwar protests. The result of his feelings towards these troubling times was the song Street Fighting Man, arguably one of their finest moments as a band.

The opening track to the album also stands out as one of the bands finest moments.
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