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| Song Title | Artist | Time | Price | |||
|---|---|---|---|---|---|---|
| 1. Alt. more worlds than known | Proto-Kaw | 7:30 | Not Available | |||
| 2. Words of honor | Proto-Kaw | 4:29 | Not Available | |||
| 3. Leaven | Proto-Kaw | 8:30 | Not Available | |||
| 4. Axolotl | Proto-Kaw | 6:06 | Not Available | |||
| 5. Quantum leapfrog | Proto-Kaw | 5:44 | Not Available | |||
| 6. Greenburg, Glickstein, Charles, David, Smith and Jones | Proto-Kaw | 3:05 | Not Available | |||
| 7. Gloriana | Proto-Kaw | 9:10 | Not Available | |||
| 8. Occasion of your honest dreaming | Proto-Kaw | 3:40 | Not Available | |||
| 9. Heavenly man | Proto-Kaw | 5:56 | Not Available | |||
| 10. Theophany | Proto-Kaw | 11:44 | Not Available | |||
| 11. Belexes (Bonustrack) | Proto-Kaw | 8:04 | Not Available | |||
| 12. It moves you (Bonustrack) | Proto-Kaw | 4:28 | Not Available | |||
| 13. Words of honor (Single edit) (Bonustrack) | Proto-Kaw | 5:48 | Not Available |
Product details
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It is hard to believe that these musicians have not played together in over 30 years and staggering that some have not even played any musical instruments in that time. Though the material is written by Kerry Livgren, the contributions from the other players is crucial in terms of the arrangements and overall feel of the album.
Prot-Kaw does sound like a cohesive band and one that has produced a very distinguished recording. Kansas were masters at combining the symphonic elements of progressive rock as exemplified by the likes of Genesis and Yes together with their own brand of southern rock. The music was at once complex and involving, but at the same time melodic and accessible and that was what made Kansas so popular. The main musical difference between Kansas and Prot-Kaw is the use of saxes and flute over violin. That lends to a beefier and jazzier sound and is used to good effect on this album.
The Kansas mixture of accessibility and complexity is in evidence throughout, but the music has a harder, more progressive edge in comparison to Kansas's last studio effort, "Somewhere to Elsewhere" which was also actually pretty good in itself. The centrepiece of the album is the impressive 11 minute plus "Theophany" with its' ELP styled intro. Good keyboard work from Dan Wright on organ and synthesisers. Singer Lynn Meredith is also to be applauded. He has a very pure, characterful voice which adds a warm, friendly feeling to the performances.
There are lots going on here musically, such is the richness and sophistication of each track. The band has really experimented with the material on offer. The mixture of strong, highly melodic songrwriting and complex symphonic arrangements is very appealing. On the evidence of this album and his work on most of Kansas's early back catalogue and their last studio album, Kerry Livgren has to be considered one of the most important figures in American progressive rock.
By that I mean that while the music has a certain 70's prog-rock feel about it and there is no mistaking Livgren's influence on the whole (if you are familiar with this man's genius), it is certainly music of the new Millenium - progressive to the core.
The Band's story (not just the Bio) is a story that should make the annals of Rock history - of that there is absolutely no doubt - whether you like the music or not. It is simply astounding.
Prog-rock should be filled with soaring melodies and instrumental intracacies, where the vocals should be harmonious and add an extra dimension to the music. This CD delivers on all fronts.
Prog-rock to retain it's own integrity must NOT remain in the years past masters such as Genesis, Pink Floyd, Rush, and many others - brilliant that they were and some still are.
However, the new breed of Prog-protaginists include Bands that have been around for some time now (and some newer ones), but are moving amongst this genre to be exactly what it is meant to be - progressive with the times. I place the likes of "Dream Theater" (sometimes), "Marillion", "Porcupine Tree" (brilliant), "Enchant", "Spocks Beard", "OSI", the new "Opeth" and a few others in this category.
This Proto-Kaw, along with their new CD is even ahead of that bunch or certainly up there with them. It was Livgren himself in one of his previous songs suggested that the "Future is borne out in our History". While he was referring to his deeply held Christian beliefs in that particular song, that statement applies to this CD.
A listen to "Words of Honour", "Axolotl" (just wrap yourself around this tune building to an absolute brilliant cresendo), "Heavenly Man" and "Theophany" - and you will see what I mean.
I trust the Band makes a few more gems. This CD is a sparkling diamond in a very monotonous, irksome and plastic music industry. We are awash in a sea of mediocrity these days. It is nice to find the opals (being Aussie) amongst the discoloured rocks.
Well done KL and the Band and that you have renewed your friendships from so long ago. Maintain the standards and we look forward to the next Proto-Kaw release.
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