Before They Are Hanged: The First Law: Book Two (Unabridged) [Audio Download]

Before They Are Hanged is the second book in The First Law Trilogy and the sequel to The Blade Itself. In this middle volume of the sequence, Before They Are Hanged picks up the storylines left dangling from the first novel and develops them further. As with the first book, this volume often feels like a 'standard' fantasy novel with lots of standard tropes in use, but Abercrombie successfully continues to put a subversive spin on events which keeps things fresh and interesting.

There are three main plot threads in the book. In the Northlands, the Union Army prepares to face the forces under Beothed. They have enlisted the aid of Threetrees and his band of cutthroats and warriors, but Marshal Burr and Colonel West find their hands full with just keeping their feuding generals from each others throats and babysitting the preening, useless Prince Ladisla.

Meanwhile, in the South, the city of Dagoska falls under siege from the army of the Gurkhal Empire. Inquisitor Glokta, in the city to investigate the disappearance of his predecessor, finds himself orchestrating the defence of the city against a vast and powerful foe, but is also forced into making alliances with suspect agents in order to ensure the city's survival.

In the West, Bayaz and his band of unlikely companions continue their journey to the edge of the Circle of the World, to recover a weapon of tremendous power. Their journey will take them through the fallen remnants of the Old Empire, an ancient city and a towering mountain range before their goal can be achieved.

Abercrombie's story rattles along at a fair old pace. With the characters introduced, there is no more need for scene-setting and the plot explodes with vigour. More happens in this 450-page novel than some writers struggle to squeeze into an 800-page tome, and it's all invigorating, page-turning stuff. There's a lightness of touch and plenty of humour in the writing which makes reading the book all the more pleasurable. The characters become more interesting, with Glokta particularly becoming a morally ambiguous person whom the author gives real character to, his decisive ruthlessness coming as quite a shock in some parts of the book. Meanwhile, in other parts of the story other characters undertake unexpected transformations. Meeting other people who know Bayaz from earlier in the world's history forces the reader to reconsider their opinion of him, whilst another character undergoes a startling personality transformation which is kept quietly in the background, hinting at some darker force moving in the storyline which will be explored further in the final book of the series.

The only criticism that comes to mind is, once again, the lack of a map. This is even more of a problem in the second novel as much vaster areas of territory are covered. One of the problems of not having a map in the book is revealed by the fact that, until an offhand comment made in this volume, I was unaware that Midderland (the Union homeland and location of its capital, Adua) was an island. A second, even more minor problem is that a skirmish in an ancient, ruined city threatens to feel like the use of one standard fantasy idea too many. Luckily, Abercrombie's writing is strong enough to avoid this problem, especially as it provides some of the most memorable imagery in the novel.

A lot has been said about Joe Abercrombie's debut, The Blade Itself. Contrary to those who found its characters lame, its dialogues trite, and its plotlines uninteresting, I enjoyed The Blade Itself. To me, it felt like a throwback book, a work which was reminiscent of what used to dominate the fantasy genre during the 80s. Okay, so it's a far cry from Erikson's The Malazan Book of the Fallen, George R. R. Martin's A Song of Ice and Fire, or Tad Williams' Memory, Sorrow and Thorn. So what? That doesn't mean that a "lighter" work cannot be a fun reading experience.

If you expect to see a masterpiece like Schindler's List every time you go to the movies, you might as well stay home and not bother. Likewise, when you sit down to read a novel, well not everything can be a GRRM read. Today's SFF market is diversified enough to allow disparate authors to have their own niche.

Let's get one thing straight: If you didn't like The Blade Itself, don't expect Before They Are Hanged to win you over. On the other hand, if you enjoyed Abercrombie's debut, I daresay you will love the sequel.

Before They Are Hanged is comprised of all the aspects which made its predecessor a good read, yet it is also a marked improvement in every department. The author moves the story forward with more aplomb, all the while maintaining the "gallows humor" which has become his hallmark.The worldbuilding plays a larger role in this one, especially in the story arc that shows Bayaz, Logen, Ferro, Jezal and the others travel to the island at the edge of the World. The imagery is more colorful and arresting than in The Blade Itself. The absence of a map is particularly confusing in this sequel, however. There is a lot of traveling around in each story arc, and the reader clearly has no idea where everything's supposed to be. Lou Anders, if you're reading this, put a damn map in the US edition!

As another character-driven tale, the characterizations remain the most important facet of Before They Are Hanged. Abercrombie also shows much improvement in this aspect. Although a number of clichéd characters remain, the author did a very good job in fleshing out the cast. And while Glokta and Logen are still fan favorites, Abercrombie has given more depth to Ferro, Jezal and many others. As for me, I must say that I absolutely loved every chapter that showcased the Northmen posse of Dogman, Threetrees, Black Dow, Harding Grim and Tul Duru Thunderhead!

In my opinion, Joe Abercrombie possesses all the qualities that made David Eddings such a powerhouse during the 80s and 90s. Even better, he steers clear (so far, anyway) of the frivolities which proved to be Eddings' downfall in the end. Funny, entertaining and accessible, there's a lot to love about Abercrombie's style. I know that many of you are put off by such a claim, but remember that Eddings sold more than 18 million books worldwide. I have a feeling Joe could live with that. Just a hunch, but I think both Gollanz and Pyr could live with that as well. Joe Abercrombie will never be the second coming of Stephen R. Donaldson, Guy Gavriel Kay, or Kim Stanley Robinson. Regardless, the author's style will nevertheless attract and please a vast number of fantasy fans.

Before They Are Hanged is a satisfying sequel which should establish Joe Abercrombie as one of the bright new voices of the genre. To the haters, it appears that Abercrombie is here to stay. . .[...]

It's hard to find fault with this series. The first of the trilogy, The Blade Itself was so far distanced from a lot of the contemporary high fantasy that I often paused at passages remarking on how inventive something was. Unusual in itself since I normally go through books at quite a pace. Before They Are Hanged builds on this beautifully.

The names of people and places seem appropriate, rather than just nice sounds that the author once thought of. When passages are done from a certain characters point of view they take on very unique tones, going so far as to fill the occasional paragraph with each persons various obsessions... things which often have nothing to do with the story but add tremendous depth to their chracter. I use the word character too much maybe, but they are one of the best parts of a very good narative. It seems the ones with the more bad aspects become the favourites. Luthar who would be a typical hero if he wasn't such a swine to all his friends. Logan the bloody nine who may or may not have slaughtered innocent women and children, and Sand Dan Glokta who can scarcely be a more terrifying figure if he wasn't, and hadn't been, constantly at the mercy of worse.

The other main thing to remark upon (and the only other thing if I am to keep this review shorter than the novel itself) is the setting. Too often in fantasy authors try to match Tolkein by creating an entire world, history, and all which everyone seems to magically know all about. The places in 'The First Law' seem plausible because they are full of more ordinary than extraordinary, because various ruins are only half explained, and most importantly because the history isn't written to be overly romantic. There aren't many heroes, and those there are, are revealed to have had a human side just like the main protagonists.

Away with your gods, and elves, and dark lords. Semi-plausible human fantasy is the way forward.... if only to act as abackdrop which allows the truly unique and magical moments in this book to shine.