The playing is excellent - Kennedy is a fine violinist. He does like to linger, though, in the first and second movements (the final movement is very lively). The second movement is beautifully, raptly played and would I am sure be mesmeric in a concert hall, but it does lack forward momentum and is not, I think, a performance to live with. In the final movement Kennedy plays his own cadenza, which starts conventionally but eventually becomes quite strange. He is not helped by a rather woolly, soft-focus recording - this is a live performance from the Alte Schloss, Kiel, which possibly has a boomy acoustic - in which the orchestra lacks definition and impact. Live recording as it is, there is occasional approximate tuning and unsure ensemble (for example, and rather unfortunately, in the final two chords). There are so very many fine recordings of this concerto that this one is not competitive, except as an interesting one-off. The couplings are good fun - two Bach encores played as quickly as possible and impressive if just a little splashy.