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I have never heard any performer make any "feel good" statements about this symphony. Toscanini, who conducted it countless times during his long life, declared that he never got to understand it. Orchestra members complain that they feel they have been reduced to "accompaniment" status once the baritone begins his recitative in the last movement. A retired contralto soloist who performed it all around the world once told me, "It's a bugger, John. I still go weak at the knees when I hear the introduction to the last movement." Sopranos singing in the chorus report that the high notes they need to attack and sustain leave them hoarse and exhausted afterwards. Can other internet visitors offer further performing insights?
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