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Customer Reviews
Most Helpful Customer Reviews
24 of 25 people found the following review helpful
Format:Audio CD
This is my favourite box set for the Beethoven piano sonatas. It may not be quite complete (Gilels died before recording every sonata) but the collection remains completely indispensible. The recordings vary from good to very good - some of the digital recordings are a little too close and hard, but many of the performances receive excellent sound (notably Gilels' hair-raising reading of the "Appassionata"). In no instance have I found that the sound in itself gets in the way of enjoying the music or appreciating Gilels' unique sonority. There are performances in this box that in my view have never been surpassed, for example his reading of the "Hammerklavier", or the "Waldstein", "Appassionata", "Les Adieux", as well as the two sonatas Opp 109-110 (regrettably Gilels' did not record the final sonata Op 111 for DG). If I had to choose just one performance from this set to take to a desert island, it would be the reading of the "Waldstein", peerlessly played and so full of energy, wisdom and beauty (for me only Schnabel is Gilels' equal in this sonata). Very, very strongly recommended.
2 of 2 people found the following review helpful
Format:Audio CD
This is Gilels at his best. Playing with his usual elegance and immense knowledge of the music. And the sonatas are this endless source of pleasure to pianists and music lovers in general. Definitely recommend it as one of the interpretations we should all know. For another interesting perspective, look for Andras Schiff's lectures on the sonatas, which are still online, thank godness.
Most Helpful Customer Reviews on Amazon.com (beta)
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21 reviews
58 of 60 people found the following review helpful
The Emil Gilels Legacy - essential, despite being incomplete
6 Dec 2008
Format:Audio CD
DG has gathered on this convenient 9 CD set, all the Beethoven Sonatas recorded for them by Emil Gilels in his later years. He died, in 1985, shortly before his 69th birthday, before he could complete the cycle. They were originally published as recorded, over more than a decade, between 1972 (Sonatas No.21 "Waldstein" and 28 op. 101 - Gilels was 55 then) and 1985 (three releases then: the two so-called "Electoral" Sonatas WoO 47/1 & 2, here on CD 1, paired with No.11 op 22; No.5 op. 10/1, No.10 op. 14/2 and 19 op. 49/1; and finally No. 30 op. 109 & 31 op. 110). Some of those originally released on LP were also previously reissued on CD, but in reshuffled couplings, sometimes even duplicating each other (as the 1972 Waldstein, the 1973 Appassionata and the 1974 "Les Adieux", Beethoven: Sonataen - Waldstein, Les Adieux, Appassionata, or the same Appassionata with the Pathétique from 1980 and # 31 from 1985 (haven't found an entry on this website, it is listed under ASIN B0002UJJCS on the European sister companies, part of the Penguin Rosette collection), or again the pairing of 27 from 1974, 28 from 1972, 30 & 31, Beethoven: Klaviersonaten Nos. 27, 28, 30 & 31 [Germany]). Some others from the LP era were reissued only in the previous box set collating all of these recordings (Beethoven: 29 Piano Sonatas / Gilels - not an entirely honest title, as there are 29 Sonatas there only by dint of including the two early sonatas without opus number) and never made it on individual CDs, at least on DG (the whole series was licensed by Olympia and released on individual CDs) : No. 6 op. 10/2, 12 op. 26, 16 op. 31/1, 25 op. 79.
As the other reviewers have noted, the sound is uniformly good, and I don't hear any significant differences between the earlier and the later recordings - maybe slightly more vivid presence in these (and, over headphones, the occasional rumble of cars in the distance).
The liner notes contain only an interesting general presentation of Gilels and Beethoven, but no analyses or presentations of the sonatas themselves. I'm particularly happy to have the two (out of three) early and obscure "Electoral" Sonatas from 1783 - nothing to do with democracy, they were dedicated to the Kurfürst or Archbishop-Elector of Cologne Maximilian Francis von Habsburg-Lothringen: they were in fact Beethoven's first piano Sonatas and I find their Haydn-esque wit and Sturm-und-Drang atmosphere irresistible. The essay contained in the liner notes is also very imprecise about which Sonatas Gilels didn't live long enough to record: they are No. 1 op. 2/1, 9 op. 14/1, 22 op. 54, 24 op. 74 "A Thérèse" and the ultimate one, 32 op. 111. An irretrievable loss: there are no other recordings, studio or live, of any of these Sonatas in Gilels' discography (the website of the label DOREMI hosts a magnificent Gilels discography compiled by Ates Tanin, to which I am entirely indebted for this review).
For this reason only, this set obviously cannot be recommended as your only set of complete Beethoven Sonatas. As to the point of determining whether those we have are "the best" versions, it is a pretty senseless one, I think: ever since the advent of the recording process, there have been numerous complete recordings by the greatest giants of the piano in the 20th Century (starting with Schnabel, Backhaus and you name `em). And that's not mentioning those giants who have not recorded the complete cycle but only samples (Richter comes to mind, of course). Suffice to say that Gilels is one of these giants. No one seriously interested in the Beethoven Sonatas should fail to listen to him.
Yet beware: as I write, the demanded price on the present website seems abnormally high. It sells for significantly less on the European sister companies, and I personally bought my own set on the famous Internet auction site for less than 20 $, postage included.
As the other reviewers have noted, the sound is uniformly good, and I don't hear any significant differences between the earlier and the later recordings - maybe slightly more vivid presence in these (and, over headphones, the occasional rumble of cars in the distance).
The liner notes contain only an interesting general presentation of Gilels and Beethoven, but no analyses or presentations of the sonatas themselves. I'm particularly happy to have the two (out of three) early and obscure "Electoral" Sonatas from 1783 - nothing to do with democracy, they were dedicated to the Kurfürst or Archbishop-Elector of Cologne Maximilian Francis von Habsburg-Lothringen: they were in fact Beethoven's first piano Sonatas and I find their Haydn-esque wit and Sturm-und-Drang atmosphere irresistible. The essay contained in the liner notes is also very imprecise about which Sonatas Gilels didn't live long enough to record: they are No. 1 op. 2/1, 9 op. 14/1, 22 op. 54, 24 op. 74 "A Thérèse" and the ultimate one, 32 op. 111. An irretrievable loss: there are no other recordings, studio or live, of any of these Sonatas in Gilels' discography (the website of the label DOREMI hosts a magnificent Gilels discography compiled by Ates Tanin, to which I am entirely indebted for this review).
For this reason only, this set obviously cannot be recommended as your only set of complete Beethoven Sonatas. As to the point of determining whether those we have are "the best" versions, it is a pretty senseless one, I think: ever since the advent of the recording process, there have been numerous complete recordings by the greatest giants of the piano in the 20th Century (starting with Schnabel, Backhaus and you name `em). And that's not mentioning those giants who have not recorded the complete cycle but only samples (Richter comes to mind, of course). Suffice to say that Gilels is one of these giants. No one seriously interested in the Beethoven Sonatas should fail to listen to him.
Yet beware: as I write, the demanded price on the present website seems abnormally high. It sells for significantly less on the European sister companies, and I personally bought my own set on the famous Internet auction site for less than 20 $, postage included.
40 of 44 people found the following review helpful
Glorious! - Not all of the sonatas, but all superply played
27 Aug 2008
Format:Audio CD
Universal made my day when they finally released this set in the USA a few years ago. Indeed, I count this the most welcome box set from Deutsche Grammophon in the last 10 years!
DG intended to record all of the sonatas with Gilels, but he met with the fate of death before its completion. A little sad indeed, for every minute of the nine CDs in this collection keeps me on the edge of my seat. For years, I thought Pollini was the ultimate in the late sonatas (see Beethoven: Die Späten Klaviersonaten); then I heard Gilels in op. 101 and my jaw dropped. And the same goes for just about every other sonata in this collection when I compared it to my personal "reference" recording.
But, far and away the grand prize in this set is the Eroica Variations. Brendel's Vox recording (albeit in a trashy Murray Hill LP pressing) got me hooked first back in the mid 1970s. The Arrau release kept me going. And then I bought the Gilels recording in this box (at full price when it was issued in 1982 on CD) and rediscovered the work all over. Gilels plays with a dynamic range I've never found matched for the Eroica Variations, or any other solo piano work for that matter. And the recorded sound is absolutely amazing. Indeed, before the CD age, I recall playing many favorite LPs "to death", wearing them out with even the finest equipment (which wasn't "supposed" to happen with reasonably good turntables/styli). When the CD age dawned, every one thought the age of permanence was upon us. Well, I played the Gilels Eroica CD "to death", far more than with any LP. So much so that the CD truly became "worn out", and for myself the notion of CD permanence vanished.
Enough said.
Get this at any price. Warning though. You may get hooked and use up all of your vacation time listening to it, or even lose your job. Be prepared.
DG intended to record all of the sonatas with Gilels, but he met with the fate of death before its completion. A little sad indeed, for every minute of the nine CDs in this collection keeps me on the edge of my seat. For years, I thought Pollini was the ultimate in the late sonatas (see Beethoven: Die Späten Klaviersonaten); then I heard Gilels in op. 101 and my jaw dropped. And the same goes for just about every other sonata in this collection when I compared it to my personal "reference" recording.
But, far and away the grand prize in this set is the Eroica Variations. Brendel's Vox recording (albeit in a trashy Murray Hill LP pressing) got me hooked first back in the mid 1970s. The Arrau release kept me going. And then I bought the Gilels recording in this box (at full price when it was issued in 1982 on CD) and rediscovered the work all over. Gilels plays with a dynamic range I've never found matched for the Eroica Variations, or any other solo piano work for that matter. And the recorded sound is absolutely amazing. Indeed, before the CD age, I recall playing many favorite LPs "to death", wearing them out with even the finest equipment (which wasn't "supposed" to happen with reasonably good turntables/styli). When the CD age dawned, every one thought the age of permanence was upon us. Well, I played the Gilels Eroica CD "to death", far more than with any LP. So much so that the CD truly became "worn out", and for myself the notion of CD permanence vanished.
Enough said.
Get this at any price. Warning though. You may get hooked and use up all of your vacation time listening to it, or even lose your job. Be prepared.
5 of 6 people found the following review helpful
Yes. It is a Great Set of 29 of the 32 Sonatas
25 April 2010
Format:Audio CD
I think enough has been said about this set. I would just point out the AMAZING SOUND QUALITY and Gilels very convincing interpretations. The energy and control he has while performing Beethoven is out of this world. I would say buy it at any price because you will rediscover Beethoven's music through Gilels' music making. I would also highly recommed his complete Beethoven Piano Concertos recorded with George Szell and the Cleveland Orchestra for EMI
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