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Track Listings
| 1. I. Andante con moto (G major) |
| 2. II Allegro (G minor) |
| 3. III Andante cantabile e grazioso (E flat major) |
| 4. IV Presto (B minor) |
| 5. V Quasi allegretto |
| 6. VI Presto - Andante amabile e con mnoto - Tempo I (E flat major) |
| 7. I. Allegro con brio |
| 8. II. Largo |
| 9. III. Rondo (Allegro scherzando) [ Cadenzas by Beethoven] |
Product Description
Daily Telegraph, November 2003
Beethoven: Piano Concerto No. 1 at the Barbican Centre, London.
"Here is an artist who truly recreates the music every time he plays; there's no sense of routine, nor of large-scale distortion, simply a liking for pointing up detail, shifting emphases and subtly pushing boundaries."
New York Sun, February 2007
"Mr. Anderszewski played [Beethoven's Bagatelles Op 126] with all the qualities he needed: boldness, tenderness, grace. His dynamics were apt, and his phrasing was wise. He used a judicious amount of pedal - not too much, not too little. He showed a shrewdness about rhythm (just as Beethoven is shrewd about rhythm). And he conveyed that nobility, that majesty - even a quiet majesty - so typical of the composer. This was exceedingly mature playing." Carnegie Hall, New York.
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Beethoven: Piano Concerto No. 1 at the Barbican Centre, London.
"Here is an artist who truly recreates the music every time he plays; there's no sense of routine, nor of large-scale distortion, simply a liking for pointing up detail, shifting emphases and subtly pushing boundaries."
New York Sun, February 2007
"Mr. Anderszewski played [Beethoven's Bagatelles Op 126] with all the qualities he needed: boldness, tenderness, grace. His dynamics were apt, and his phrasing was wise. He used a judicious amount of pedal - not too much, not too little. He showed a shrewdness about rhythm (just as Beethoven is shrewd about rhythm). And he conveyed that nobility, that majesty - even a quiet majesty - so typical of the composer. This was exceedingly mature playing." Carnegie Hall, New York.
See all Product Description
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