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| Disc: 1 | |||
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| 1. 1. Adagio molto - Allegro con brio | |||
| 2. 2. Andante cantabile con moto | |||
| 3. 3. Menuetto & Trio | |||
| 4. 4. Adagio - Allegro molto e vivace | |||
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| Disc: 2 | |||
| 1. I. Allegro Con Brio | |||
| 2. Larghetto | |||
| 3. Scherzo (Allegro) & Trio | |||
| 4. Allegro Molto | |||
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| Disc: 3 | |||
| 1. Adagio - Allegro Vivace - Jonathan Carney | |||
| 2. Adagio - Jonathan Carney | |||
| 3. III. Menuetto (Allegro Vivace) & Trio (Un Poco Meno Allegro) - Jonathan Carney | |||
| 4. Allegro Ma Non Troppo - Jonathan Carney | |||
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| Disc: 4 | |||
| 1. Allegro Con Brio | |||
| 2. II. Andante Con Moto | |||
| 3. Allegro - | |||
| 4. Allegro | |||
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| Disc: 5 | |||
| 1. 1. Allegro ma non troppo, un poco maestoso | |||
| 2. 2. Molto vivace - Presto - Molto vivace - Presto | |||
| 3. 3. Adagio molto cantabile - Andante Moderato - Tempo 1 - Andante Moderato - Tempo 1 - Stesso Tempo | |||
| 4. Presto - Allegro Ma Non Troppo - Tempo 1 - Vivace - Tempo 1- Adagio Cantabile - Tempo 1 - Allegro Assai - Tempo 1 - Allegri Assai | |||
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There is something essentially vernal, fresh, spring-like about Mackerras's direction. These are in no sense heavy-handed 'interpretations'. They spring and bound along - often at a cracking pace. Only occasionally does this approach seem to go against the grain. The finale of the Eroica is surely too jaunty (dancing sailors on the poop-deck) and the 'big' Eighth symphony is too breathless for its real grandeur to register. But in most cases the results are splendid - in the 4th; 5th; 6th 7th and 9th the results are triumphantly good. Mackerras's tempi in the finale of the 9th are radically different from many other performances - but they sound 'right', the 'traditional' approach sounding moribund by comparison (by-the-way, the soloists blend beautifully in the 9th, the fresh-voiced choir match the mood).
The RLPO and Sir Charles have produced a magnificent series, I believe just what LvB would have wanted, you will never 'nod off' listening to these interpretations.
Every forte is a big/big sound, the tempo are usually very aggressive, the crescendi/diminuendi are beautifully controlled and the ensemble melodic lines are played in complete unison.
An excellent series by this excellent UK Orchestra,
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