As in many Austen novels, it isn't love at first sight--but rather irritation. Just as affection begins to bloom, Tom has to return to London, and Wisley, whose financial prospects are superior, proposes. To complicate matters, Tom's uncle (Ian Richardson in his final performance) disapproves of the outspoken young lady just as much as Wisley's aunt (Maggie Smith, lending the proceedings some subtle humor). Had Austen penned the script, Tom and Wisley would be combined into one person, but life doesn't work that way--and nor does Becoming Jane. Though Jarrold's effort may not be as swoon-worthy as Joe Wright's Pride and Prejudice, it remains true to the spirit of the author's work. --Kathleen C. Fennessy
The year is 1795 and young Jane Austen is a feisty 20-year-old and emerging writer who already sees a world beyond class and commerce, beyond pride and prejudice, and dreams of doing what was then nearly unthinkable marrying for love.
Naturally her parents are searching for a wealthy, well-appointed husband to assure their daughter's future social standing. They are eyeing Mr Wisley, nephew to the very formidable, not to mention very rich, local aristocrat Lady Gresham, as a prospective match.
But when Jane meets the roguish and decidedly non-aristocratic Tom Lefroy, sparks soon fly, along with the sharp repartee. His intellect and arrogance raise her ire then knock her head over heels. Now the couple, whose flirtation flies in the face of the sense and sensibility of the age, is faced with a terrible dilemma. If they attempt to marry, they will risk everything that matters family, friends and fortune.
Behind the Scenes
Regency Dance Featurette
Hair, Make-up & Costume Design Featurette
Filming the Cricket Scene
Filming the Boxing Scenes