- Paperback: 160 pages
- Publisher: University of Minnesota Press (29 Mar 2001)
- Language English
- ISBN-10: 0816639477
- ISBN-13: 978-0816639472
- Product Dimensions: 30.6 x 24.2 x 1.4 cm
- Amazon Bestsellers Rank: 1,611,032 in Books (See Top 100 in Books)
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Product details
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Beauty, Honor, and Tradition, a traveling exhibition organized by the Smithsonian Institution's National Museum of the American Indian and the Minneapolis Institute of Arts, presents a new perspective on these garments, their creation and history, and their place in the cultures of the Plains Indian tribes. Through photographs and detailed descriptions of fifty-three representative shirts crafted from the 1820s to the 1990s, this book explores the complex relationship between the shirts, their makers, and their wearers. Throughout the text the voices of individual Plains Indians speak of the personal and cultural significance of these magnificent garments.
Joseph D. Horse Capture is assistant curator in the Department of Africa, Oceania, and the Americas at the Minneapolis Institute of Arts. They are coauthors of Warrior Artists (1998).
George P. Horse Capture is deputy assistant director of the Smithsonian Institution's National Museum of the American Indian, and author of Powwow (1992).
Distributed for the Minneapolis Institute of Arts
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war shirts were given to the men of the plains nations for remarkable courage and character and for impressive deeds. the shirts would be transferred to other men of equal standing. the designs were worked by women who were unusually talented in quill and bead embroidery. occasionally, the design of the shirt would be directed by the man to wear it, based on his dreams/visions.
since it is oversized, the book allows larger, more detailed photos of the shirts. quillwork, paint, beads and other materials show up clearly. the workmanship is stunning, the designs are magnificent. the use of materials is inspirational. the examples range from the early 19th century to contemorary shirts.
the text, aside from a couple of areas where the proofreader failed miserably in his job, is almost as interesting as the shirts. this is not to insult the authors. no words could equal the shirts. there are also quotes from contemporary indians about the shirts that are interesting and illuminating.
if this book had been published by abrams, the price would have been at least doubled. given the quality of the photos, that fact alone is worth a couple of stars.
this is a must for anyone interested in indian beadwork, history or art and for anyone interested in beauty and great design of any origin.
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