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Product Description
Amazon.co.uk Review
Beautiful Future--a hopelessly optimistic moniker for their ninth album, no matter which way you approach it, since Primal Scream are almost universally accepted to have strutted past their zenith around the same time they helpfully mislaid their vowels (on 2000’s unrelentingly anarchic Xtrmntr). To claim any future, especially after the all-too-brief successes of 2006’s turgid Riot City Blues, let alone a handsome one is foolhardy to say the least. But, you see, they’re actually being cuttingly sarcastic, or so we ascertain from Bobby Gillespie’s ham-fisted sloganeering on the title track’s tirade against modern ills ("you live by the sword, you die by the sword, you’re only free to buy things you can’t afford", etc.). If anything in particular is exposed as a spent force here it is he and his pen, sense disregarded to the point of parody, words drifting like flotsam amid the band’s systematic attempts to reinvent themselves. The small miracle is that they just about manage. "Beautiful Future" leads into the album with a curious and eventually overwhelming infectiousness, gleaming like CSS delivering a Shirelles pastiche complete with cheesy bell-ringing and an effeminate vocal delivery that almost clouds over the lyrical content. "I Love to Hurt (You Love to Be Hurt)" actually features CSS’s Lovefoxx as this album’s Kate Moss and holds its own with some minimalist malevolence. As an album it jerks and it stumbles, lacking a definitive identity, but it at least ensures they’ll live to see another day. A future of some sort is assured. --James Berry
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Most Helpful Customer Reviews
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Can't go back, so look to the future,
By A. Sweeney "I don't care what you call me" (London, England) - See all my reviews (TOP 500 REVIEWER) (VINE VOICE) (REAL NAME)
This review is from: Beautiful Future (Audio CD)
I have to admit that, on first listen, I was really quite taken aback by this album - it isn't what I was expecting at all. Even though Primal Scream have, throughout the years, been musical chameleons, 'Beautiful Future' is different enough from their previous releases to be a genuine surprise when you first hear it. I have noticed that this album has pretty much split the fanbase down the middle and I can't say I'm shocked - this album has probably the most catchy, shimmering, near-mainstream pop Primal Scream have ever released with only glimpses of the hard-edged dirtiness which have characterised some of their most loved releases in the last decade or so.
In fact, when the opening, title track starts, complete with chiming bells, bouncy beat and radio-friendly sing-a-long chorus, you wonder if they're joking but, as it turns out, they're not - they're serious and, quite honestly, it's seriously good. The single 'Can't Go Back' is a raucous piece of brilliance which, along with the menacing 'Suicide Bomb' and the brilliant Josh Homme collaboration 'Necro Hex Blues', provide the edge and character which makes the album distinctively Primal Scream, but the album is equally as good for songs such as the mellow, chilled out 'Uptown' and the understated but catchy 'Glory Of Love'. There's even a quietly superb break-up ballad, a cover of Fleetwood Mac's 'Over & Over' featuring Linda Thompson. Not everything on 'Beautiful Future' is exactly fantastic, in fact there is a distinct mid-album lull, but it's all very listenable and, on the whole, a very good album. Leave your pre-conceptions and reservations behind - Primal Scream have made an album to be enjoyed, so just buy it with an open mind, play it, go with the flow and enjoy it but, be warned, if you want anything similar to 'XTRMNTR' or 'Evil Heat', you're likely to be very disappointed.
1 of 1 people found the following review helpful:
3.0 out of 5 stars
Unfinished Symphonies,
By
This review is from: Beautiful Future (Audio CD)
Absolutely have to agree with Mark Astons review here over the missing-middle-eight-repetitiveness of this album. At first listen it sounds like a glorious sugar coated update of the Screams first album, "Sonic Flower Groove", with "Beautiful Future" and the "Glory of Love "(in both forms) particularly brilliant in a second-summer-of-pop type way. "Uptown" is good in the same way that "Trainspotting" and "Screamadelica" (the track not the album) were, and cover "Over & Over" is another Broken Bobby (TM) version of "Damaged". But it's true, all these songs sound unfinished and either repeat themselves adnausium in some sick loop after about 20 seconds, or else take the cursed fade out route at the end. Criminal stuff because this could have been once of The Screams best albums. As it is it bores you senseless after a couple of listens.
4.0 out of 5 stars
Played it Over & Over,
By
This review is from: Beautiful Future (Audio CD)
This Primal Scream album is one which takes a little getting used to, and repeated plays on the ipod have convinced me of its quality. In my opinion many of the reviews have been a little too critical and some people maybe expecting too much from a band who change approach and direction with almost every track and album.
The many uptempo tracks really hit the spot and the slowest Over & Over is really excellent. Looking forward to seeing many of these tracks, along with some old classics, played live on the upcoming tour. I suggest anyone who liked any Primal Scream album should buy it, give it a few listens, and make up your own mind as many of the reviews, I believe, are misleading.
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