A REVIEW OF 'BEAU GESTE' by P.C. WREN
'Beau Geste' has the unenviable status of being a book that people know of, but which fewer and fewer have actually read. Mention its name, and the typical response is, "Oh, that's about the French Foreign Legion." And that's about it.
All of which is a shame, because 'Beau Geste' is a stylish and clever novel which merits far more attention than its one-dimensional, pub-quiz-friendly reputation would suggest. Part tale of the supposed supernatural, part mystery, part 'whodunnit', part autobiography, part romance and part war/adventure novel, 'Beau Geste' certainly ticks all of the boxes. Perhaps the book's growing obscurity is due to the fact that it is not old enough to fall under the title of a 'classic', but not new or fashionable enough to remain prominently in print.
However, those who do hunt down a copy of 'Beau Geste' will not be disappointed. Opening with the eerie discovery of a French Foreign Legion fort being 'defended' by strategically-positioned dead soldiers, which then mysteriously and spontaneously combusts, the tale immediately takes us back to an English country home and the disappearance of a priceless sapphire. It's like jumping out of John Buchan's 'Prester John' straight into Agatha Christie's 'The Adventure of The Christmas Pudding'. Wren expertly interlinks the two opening sections so that the ending cleverly explains the beginning through the words of John Geste, one of three brothers who flee to North Africa, having claimed to have stolen the jewel.
The opening chapters are excellent and genuinely engage the reader as we first encounter the 'haunted' fort from the perspective of its would-be liberators. Equally impressive is the description of the desert-warfare in the later passages which explains the high body count. However, it is as a first-person narrative of leaving England to join the French Foreign Legion that 'Beau Geste' arguably works best because of the writer's attention to detail which gives a real authenticity. P.C. Wren was a particularly private man, but his precise description of the customs and trappings of the legion leave the reader in little doubt that much of the story is based upon personal experience.
However, not everything about 'Beau Geste' hits the spot. Following the theft of the sapphire and before the conflict at the fort, Wren rather overplays the dialogue scenes. Conversations seem to ramble onwards without developing the plot as the same points (about the possible thief and possible mutineers respectively) are repeated to an almost ponderous degree. Similarly, the final few chapters seem to take the story off in directions which distract the reader away from the key plot resolution. At times, the temptation to plump for one of the numerous abridged version of the novel might be felt strongly.
Nevertheless, the actual finale is short, sharp and memorable, ensuring that the pages which follow the less-engaging extracts of the book compensate for the slowing of plot and pace. Talking of plot, this reviewer has deliberately avoided describing all but the skeleton of the story, a decision based upon respect for Wren's stylish unveiling of narrative and character.
Thus, in 'Beau Geste' we have a very good book, indeed. Perhaps not a masterpiece, but a great read which rewards the reader's trust and patience, much like a thirst-quenching drink after a hard day's desert marching.
Barty's Score: 8/10