Have one to sell? Sell yours here
Battle for Bond: The Genesis of Cinema's Greatest Hero
 
See larger image
 
Tell the Publisher!
I’d like to read this book on Kindle

Don't have a Kindle? Get your Kindle here, or download a FREE Kindle Reading App.

Battle for Bond: The Genesis of Cinema's Greatest Hero [Paperback]

Robert Sellers
4.9 out of 5 stars  See all reviews (8 customer reviews)

Available from these sellers.


Formats

Amazon Price New from Used from
Paperback, Illustrated £8.99  
Paperback, 18 Jun 2007 --  
Amazon.co.uk Trade-In Store
Did you know you can trade in your old books for an Amazon.co.uk Gift Card to spend on the things you want? Visit the Amazon.co.uk Trade-In Store for more details.
There is a newer edition of this item:
The Battle for Bond: Second Edition The Battle for Bond: Second Edition 4.9 out of 5 stars (8)
£8.99
In stock.


Product details

  • Paperback: 300 pages
  • Publisher: Tomahawk Press; illustrated edition edition (18 Jun 2007)
  • Language English
  • ISBN-10: 0953192636
  • ISBN-13: 978-0953192632
  • Product Dimensions: 23.9 x 17 x 2 cm
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Bestsellers Rank: 717,959 in Books (See Top 100 in Books)

More About the Author

Robert Sellers
Discover books, learn about writers, and more.

Visit Amazon's Robert Sellers Page

Product Description

Product Description

Cinema history might have been very different had the first James Bond film not been "Dr. No" in 1962 starring Sean Connery, but "Thunderball" directed by Alfred Hitchcock in 1959 and starring Richard Burton as agent 007. It sounds preposterous and unbelievable, but it almost happened. This book unravels the untold story behind the most controversial part of the James Bond legend using previously unpublished material including letters and private documents. It is a tale of bitter recriminations, betrayal, multi-million dollar lawsuits and even death. It starts way back in 1959 when colourful Irish film producer Kevin McClory collaborated with Ian Fleming and Hollywood screenwriter Jack Whittingham on a screenplay for what was intended to be the first ever James Bond film, entitled "Thunderball". When the project collapsed, Fleming instead used its plot as the basis for his next Bond novel, but without permission. An incensed McClory and Whittingham sued. The resulting trial was one of the most high profile and complex of the 1960s. Essentially the creator of the 20th century's greatest fictional character was in the dock, accused of plagiarism. Already gravely ill, many of Fleming's friends feared the pressure of the trial would have a detrimental effect on his health. Tragically they were proved right when only a few months later Fleming died of a massive heart attack aged only 56. As for Kevin McClory, he became a millionaire over night, winning the film rights to "Thunderball". He was now in the enviable position of being able to make his own 007 movie. But the already established Sean Connery series was a hard act to compete with and McClory instead decided to join forces with Albert R. Broccoli and Harry Saltzman in a one-off deal to co-produce "Thunderball". Released in time for Christmas 1965, Thunderball was the "Star Wars" of its day, becoming one of the most successful films in movie history. Part of McClory's court victory entitled him to remake "Thunderball" at a future date, resulting in 1983s "Never Say Never Again", which saw Sean Connery returning to the Bond role after a 12 year absence and was the film that Broccoli tried desperately to ban. Following its success McClory tried in vain to start his own 007 film series, using the rights he owned in "Thunderball", but was thwarted at every turn in a succession of increasingly hostile legal battles against Broccoli and Bond studio MGM. McClory even made the claim that he was co-creator of the cinematic James Bond character and demanded a share in the three billion dollars of profits the 007 series had earned. Even in the late 1990s McClory was still determined to make more Bond films and in one last giant court battle the entire future of James Bond was to be decided. Would the Broccoli family and MGM, home to the 007 series since 1962, emerge triumphant. Or would Kevin McClory's 40-year claims on the Bond character succeed. In preparing the book the author was granted exclusive access to a wealth of previously unpublished material including hundreds of letters from the principal characters in the "Thunderball" story, including Fleming himself, business and private documents and never before seen papers from the 1963 court case. And also the five different screenplays that were written for "Thunderball" - two from Fleming and three from Jack Whittingham. The author also interviewed many of the actors and production people who worked on "Thunderball" and "Never Say Never Again". Their memories and colourful anecdotes bring to life two of the most successful and universally popular Bond movies of all time.

Suggested Tags from Similar Products

 (What's this?)
Be the first one to add a relevant tag (keyword that's strongly related to this product)
 
(9)

Your tags: Add your first tag
 

Sell a Digital Version of This Book in the Kindle Store

If you are a publisher or author and hold the digital rights to a book, you can sell a digital version of it in our Kindle Store. Learn more

What Other Items Do Customers Buy After Viewing This Item?


 

Customer Reviews

8 Reviews
5 star:
 (7)
4 star:
 (1)
3 star:    (0)
2 star:    (0)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.9 out of 5 stars (8 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most Helpful Customer Reviews

7 of 7 people found the following review helpful:
5.0 out of 5 stars A Must For James Bond Fans!, 12 July 2007
This review is from: Battle for Bond: The Genesis of Cinema's Greatest Hero (Paperback)
Kevin McClory, who died last year, was one of the more controversial characters associated with the 007 legend. His ongoing feud with Eon Productions spanned four decades, during which time he made numerous attempts to create a rival Bond movie franchise. The problem for him was he only owned the rights to one Ian Fleming book: 'Thunderball'.

It began in the late '50's when Fleming wrote his ninth Bond novel, and McClory was astonished to find that it contained no credit either to himself or Jack Whittingham, all of whom had collaborated on an unmade screenplay called 'Longitude 78 West' a.k.a. 'James Bond Of The Secret Service'. He sued, and after a lengthy court case, triumphed.

In 1965, he teamed up with Albert R.Broccoli and Harry Saltzman to make 'Thunderball' the fourth Bond movie. It was a gigantic success, arguably the most profitable Bond film of them all.

Ten years later, McClory announced a new version of the story, to be called 'Warhead', written not only by McClory, but also Len Deighton and, surprisingly, Sean Connery.

The full incredible story is here, told in fascinating detail. Author Robert Sellers had access to the papers of the late Jack Whittingham, provided by his daughter Sylvan. The way the story evolved from draft to draft provides a welcome insight into the minds of its creators. You have to remember that there had never been a Bond movie before, so no-one was really sure how to go about it.

It was only McClory's lack of a track record at the box office which stopped him from making his film. Cubby and Harry both had these, and they got Bond on the big screen first. You cannot help but feel sorry for McClory, no matter how appallingly he may have behaved to others, such as Whittingham's family ( he never remunerated them for 'Never Say Never Again' ). There's also a bizarre chapter in which he got a friend to travel to Nassau to sell a property he owned there. Read it and be amazed.

Full of never-before published photographs and revealing new information, this is indeed a must for the shelf of any true Bond fan, and should take away the unpleasant taste left by Simon Winder's 'The Man Who Saved Britain'.



Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


3 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent story of the Thunderball case, 29 July 2008
By 
Brian V. Burford (UK) - See all my reviews
(REAL NAME)   
This review is from: Battle for Bond: The Genesis of Cinema's Greatest Hero (Paperback)
This book has been in the development stage for many years; it used to be on the publisher's list that I used to work for. In a word this book is excellent. Robert Sellers has done a brilliant job and made full use of all the new materials at his disposal. There are so many James Bond books out there, many repeating the same old stuff and the same old pictures, it's overkill. But this one is different.

Sellers has brought all the elements of the Thunderball case and woven them together to create the definitive Thunderball scripts story. 007 magazine tried to do this a few years back, but they only managed to repeat what we already know and combine it with Graham Rye's opinions and speculation. It's certainly not the case with this book, which should find its way onto any 007 fan's book shelf.

Having read the original book, and followed the subsequent pulping because of passages that offended the Ian Fleming Trust, frankly I can't see what they're getting worried about. The creator of 007 wasn't blameless in this case and, although I don't think he acted with malice, he was certainly naive and misguided. Basically, if you buy the second edition you're not missing out because the book is far bigger and so informative that its dispute with the Fleming estate cannot diminish what is a really good book.

Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No


2 of 2 people found the following review helpful:
4.0 out of 5 stars How things might have been, 8 Aug 2009
By 
In the late 1950s, Ian Fleming was eager to capitalise on the literary success of his James Bond books and began a series of fateful attempts to develop the character for either television or the cinema. Eventually he was introduced to the larger-than-life character that was the young film maker Kevin McClory and shortly afterwards there began an almost fifty year story of litigation, acrimony and early death.

Over the course of nearly 250 (rather too) tightly-packed pages, Robert Sellers tells us first about the fateful confluence of Ian Fleming and Kevin McClory and the subsequent plagiarism court case that seems to have played a large part in Fleming's decline. This is the most complicated part of the story and very interesting if a little dry, presumably because of the fact that it is about a court case and not about the later shenanigans of the movie business. Then he moves on to tell the quite entertaining story of the filming of both THUNDERBALL and NEVER SAY NEVER AGAIN, the 2 films that eventually resulted from all this legal jiggery pokery, before finishing the book with the fascinating ongoing saga of legal and financial battles that took up much of the later part of Kevin McClory's life as he fought to gain the recognition he believed he deserved from the mighty machine that the Bond franchise became.

Neither Ian Fleming nor Kevin McClory come across as the most pleasant of men on the page, but with Fleming's death relatively early on in the story, it is the colourful descriptions of McClory's life and times that become the most memorable (and sometimes quite astounding) parts of the book as other lesser or better known characters cross his path. Writer for hire Jack Whittingham was hired by McClory to produce early drafts of the screenplay and it is his story that eventually comes across as being the very soul of the book and ultimately it is with him and his family that your sympathies lie.

The synopses of five screen treatments make up the appendices to the book based on a memo by Ernest Cuneo, two screenplays by Ian Fleming and two by Jack Whittingham and intriguingly show the script development process unfurling and all of which played a large part in the claims and counterclaims made over the years.

We'll never know how different the cinematic world of James Bond might have been if the first film had been made in the austere 1950s instead of the swinging sixties, but this makes for a quite fascinating read.
Help other customers find the most helpful reviews 
Was this review helpful to you? Yes No

Share your thoughts with other customers: Create your own review
Would you like to see more reviews about this item?
 Go to Amazon.com to see all 14 reviews  4.8 out of 5 stars 
Were these reviews helpful?   Let us know
 
 
Most Recent Customer Reviews






Only search this product's reviews



Customer Discussions

This product's forum
Discussion Replies Latest Post
No discussions yet

Ask questions, Share opinions, Gain insight
Start a new discussion
Topic:
First post:
Prompts for sign-in
 

Search Customer Discussions
Search all Amazon discussions
   


Listmania!


Look for similar items by category


Look for similar items by subject


Feedback