This is one of the best Batman stories that I've read. Everything from the art's individualistic style to the dystopian setting is pitch perfect in my view. Pope as writer and artist is wonderful, even from the opening six wordless pages I knew I was in good hands.
Personally, I loved the art. Some people will not enjoy this style however (the cover is a pretty good representation of what the next 190 pages are going to be like), but I'd rather have a new and interesting take on Batman than see the same old ones again. While the framing of action and composition on Pope's part is immaculate.
The story is an interesting one, the product description handles it well. While the writing kept this fresh, as it didn't fall into the cliches that can plague Batman stories (the almost inevitable retelling of the origin story). Added to that, this Batman felt like a great representation, he's got his back against the wall the whole way through and is a true outsider in this future world with a great mystery surrounding him. I don't say this lightly, but given the parallels between the two stories, I think this may be a challenge to
Dark Knight Returns as a landmark Batman story.
This edition contains a great dose of extras, eight pages of police reports and press clippings from the story, five pages of Pope's development sketches with commentary by Pope himself, an additional story (the first Batman Pope ever did) called Berlin Batman. This story has an introduction from Pope, and the story is a nice extra and a fun story in it's own right, it has Batman set as a Jewish artist in Berlin of 1939. The edition then concludes with the four covers, all of which are impressive glory shots.