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Each genre within the broad church that is 'reggae' is treated in an in-depth manner and is brought to life by interviews with the surviving artists. You can almost smell the herb.
Thankfully, the author manages to avoid a tribute to the might of Bob Marley, but steers his way deftly through the many artists that were actually appreciated by admirers of the style - whether they be in damp London clubs or Kingston lawns. As a result, the book provides a remarkable portrait and accurate social documentary of what, how and who created the form that is sweet reggae music.
Interspersed with vivid vignettes of street life of the time, the picture is one of struggle and sufferation as a nation evolves its own musical identity. The emphasis is on the period up to 1980, with detailed descriptions of the emerging sound systems, deejay culture and the influence of rastafarianism. The coverage of this era is fascinating.
The period of 1980-2000 is covered in relatively few pages, perhaps reflecting the author's dislike of the violent and slack world of ragga, gun culture and cocaine that this period evoked. If the book has a failing it would be the scant coverage of stars such as Shabba Ranks, Buju Banton and Terror Fabulous, to name a few. Although the violent overtones of this time may be open to derision, some of the music itself has an important place in modern day Jamaican youth culture - perhaps as much as roots did for the generation before.
For anyone interested in reggae music, its evolution and history Bass Culture is a must have immediate purchase. Congratulations to Lloyd Bradley.

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