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Basics Creative Photography 03: Behind the Image: Research in Photography Paperback – 26 Mar 2012

4.4 out of 5 stars 7 customer reviews

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Product details

  • Paperback: 176 pages
  • Publisher: AVA Publishing (26 Mar. 2012)
  • Language: English
  • ISBN-10: 2940411662
  • ISBN-13: 978-2940411665
  • Product Dimensions: 16.3 x 1.5 x 23.4 cm
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Bestsellers Rank: 43,291 in Books (See Top 100 in Books)
  • See Complete Table of Contents

More About the Authors

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Product Description


'Caruana and Fox have written an important and timely book. Broad in scope, with focused examples, this is an effective and engaging introduction to the convergences of practice and theory; spontaneity and systematic enquiry; critical engagement and creative exploration that research in photography involves.' -- Fergus Heron, Artist and Senior Lecturer in Photography, University of Brighton, UK

'The book is an excellent way to teach students about the process of research in the creative field.' -- Elisabeth Strunk Effron, The Art Institute of Raleigh Durham, US

'[Behind the Image] explains both the importance and how-to aspect of research - read this before you start your next project!' -- Arts Thread blog, March 2012

'Very useful for BA level students who need to learn how to develop a practice-based research in art and photography.' -- Paula Roush, London South Bank University, UK

'At the end of each chapter is an activity page where the reader is given an assignment. Good fun and a great exercise for students, and perhaps even professional practitioners to help them sharpen their skills! Following the steps outlined will help many visual artists nurture the seed of an idea because the theme is to encourage research to frame, inform and focus the final images. This is definitely a work book for educators, students and all those practitioners involved in creating a body of work. A breath of fresh air is how I describe the intent and scope of this work book ... Knowledge is empowering; which is why a planned and methodical research into the medium and your subject material can be so powerful. If you are looking for guidance in establishing a research process for your next photographic project, then this book is for you.' -- Clive Waring, Silvershotz Magazine, 2012

'Discover ways to approach photographic theories and apply these practically. This title looks to help creative photographers understand, record and acknowledge research processes for more compelling imagery. It achieves this with advice more than strict instruction, offered over six chapters and managed through sub-headed sections. Real-world projects underline the value of this guidance, which includes a host of topics such as interactive forms of research, benefits of blogging, working with your own studio space, digital postproduction and so on. However, at 160 pages and considering how some details are explored concisely, this book becomes more a suitable companion for students and aspiring professionals, than a comprehensive resource for pros. The book provides condensed coverage of a variety of tools both new and old, ensuring readers of all abilities are catered for. Verdict: 7/10. Some sections are skimmed over, but most provide invaluable motivational sound bites that budding creatives will benefit from.' --Advanced Photoshop magazine, March 2012

About the Author

Natasha Caruana is a practising artist, lecturer of photography and founding director of the London-based Studio Strike artists' studios. She graduated with an MA in photography at the Royal College of Art in 2008 and is currently a lecturer of Photography at the University for the Creative Arts, Farnham, UK.

Anna Fox has worked in photography for thirty years. Her solo shows have been seen at The Photographer's Gallery, London, The Museum of Contemporary Photography, Chicago and her work has been included in numerous international group shows, such as Through the Looking Glass and Documentary Dilemmas. She is professor of photography at the University for the Creative Arts, Farnham, UK.

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Front Cover | Copyright | Table of Contents | Excerpt | Index | Back Cover
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Customer Reviews

4.4 out of 5 stars
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Top Customer Reviews

Format: Paperback
I am doing my Masters in Photography at the moment, and am right at the start of my big project. I had been looking around for suitable books to help in the organisational aspect of the research process and various research methods as well. I figure that setting up things clearly from the beginning is crucial to a potentially successful outcome of one's project and dissertation. However, I found absolutely nothing in terms of guide books. Most research "guide" books are social science or business based, and there is very little out in the market for the arts - and nothing that I could see that was specifically for photography and that is also practice based research. So, through a ton of digging I came across, Basics Creative Photography 03: Behind the Image: Research in Photography. Well, Hallelujah!

It covers all the aspects of research in photography. There is so much in this book that I do consider it an excellent starting point that allows the reader to investigate further. So yeah, it's an excellent sign-post of a book.

The Chapters are as follows:
1. Planning
2/ Developing Ideas through research
3/ Practice as research
4/ Compiling your research
5/ Research as practice
6/ The impact of research
Bibliography and webgraphy (very good!)
Bonus - working with Ethics

The Highlights of the Book (for me) include:

1/ The images and descriptions of the images. The images selected are relevant to each chapter and discussion, and they also introduce a great deal of contemporary photographers. I would have perhaps liked slightly longer image descriptions and more analysis.
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Format: Paperback
Behind the Image by Anna Fox and Natasha Caruana - stands out as an excellent example of an intellegent and global approach to Photography in the plethora of books on the subject. The authors use accessible language to engage and communicate with the reader the means by which the seeds of an idea are formed and developed. They offer working methodologies for exploring ideas and the development of the individual photographers' eye or if you prefer the `voice' of the maker behind the image. Rather than dwelling on the technical knowledge of the camera as a means of production, they emphasis the camera as a tool - as the means through which the photographer/artist conveys their ideas.

Taking the reader step by step through the process of developing ideas and how to access a range of resources to assist them, they draw on a vast range of International photographers and artist work to illustrate their ideas and thereby introducing the reader to the global potential of the photograph.

The book is an essential reference work or `bible' for all budding photographers, artists or anyone who wishes to work in a creative medium. The format of the book - each chapter introducing a new method, which is then backed up with a case study illustrating the method and following this the reader is asked to undertake a practical exercise to try the method out for themselves - offers straightforward and practical advice which will stimulate debate and is intellectually challenging.
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Format: Paperback Verified Purchase
I thought really hard about writing this, given the glowing praise of the existing reviews. Those previous reviews are, I believe, correct in their assessment of the content. It's both valid and correct and I certainly think if you're starting out on an academic endeavour then the aspirations of the book are very relevant to you.
I think that has to be countered with some commentary on the format of the book though. It's nice and clear and each page is spaciously laid out, which is good. However, I think that based on the price (Around £16 at time of purchase) I'd rather see less space. I mean, you could fit another book into the magazine style layout. In addition to this, while it's important to not overlook the obvious or make assumptions about the reader's existing knowledge, there is some padding out going on throughout the book. For example, I think that citing the internet as a research source is quite right. Pointing out that web pages can be bookmarked - okay, fair enough. But by the time we get on to indexing our bookmarked web pages...hmm. And this does happen throughout.
It must be said that many of the tips are also pretty standard stuff that should come with course material (if you're doing one).
I think that a slimmed down version of this for half the price would really hit the mark in terms of value for money. It's not a bad book at all, but you may want to consider the above before paying the price that I did.
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Format: Paperback
Wish I'd bought this book sooner. For anyone treating photography as an academic subject or a tool to explore artistic or documentary themes this a very useful over view of good research practise, well illustrated and supported with helpful case studies.
Covers areas such as research sources, note taking and storage, referencing and the use of photography as a research tool - which was an eye opener for me.
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