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Barry Lyndon
  

Barry Lyndon [Soundtrack]

Various Artists Audio CD
5.0 out of 5 stars  See all reviews (4 customer reviews)

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Product details

  • Audio CD (21 Nov 1997)
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Warner Books
  • ASIN: B000003P3L
  • Other Editions: Audio CD
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Bestsellers Rank: 1,222,647 in Music (See Top 100 in Music)

1. Sarabande Main Title - National Philharmonic Orchestra
2. Women Of Ireland The Cheiftains - Paddy Moloney/Sean Potts
3. Piper's Maggot Jig - Paddy Moloney/Sean Potts
4. The Sea-Maiden The Chieftains - Paddy Moloney/Sean Potts
5. Tin Whistles - Paddy Moloney/Sean Potts
6. British Grenadiers - Fifes And Drums
7. Hohenfriedberger March - Fifes And Drums
8. Lilliburlero - Fifes And Drums
9. Women Of Ireland - Derek Bell
10. March From Indomeneo - National Philharmonic Orchestra
11. Sarabande-Duel - National Philharmonic Orchestra
12. Lilliburlero - Leslie Pearson
13. German Dance No.1 In C-Major - National Philharmonic Orchestra
14. Sarabande-Duel - National Philharmonic Orchestra
15. Il Barbiere Di Siviglia: Film Adaptation Of The Cavatina - National Philharmonic Orchestra
16. Cello Concerto E-Minor (Third Movement) - Pierre Fournier/Festival Strings Lucerne/Rudolf Baumgartner
17. Concerto For Two Harpsichords And Orchestra In C-Minor: Adagio - Karl Richter/Hedwig Bilgram/The Munich Bach-Orchestra
18. Piano Trio In E-Flat, Op.100 (Second Movement): Film Adaptation - Ralph Holmes/Moray Welsh/Anthony Goldstone
19. Sarabande End-Title - National Philharmonic Orchestra

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Customer Reviews

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Most Helpful Customer Reviews
21 of 22 people found the following review helpful
Pure Genius 16 Jun 2002
By A Customer
Format:Audio CD
I heard this soundtrack before I'd actually seen the movie + it was just amazing, provoking emotions + imagary no other music I've ever listened to could! It's a beautiful selection of classical music easily appreciated without the film. (which by the way, is a magnificent tale of love,war, and ambition)The best track on this album is definatly Handels, Sarabande, the main title which is just amazing. Without a doubt a sadly unappreciated but truely magnificent collection of music.
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8 of 9 people found the following review helpful
Format:Audio CD
Quality recording and all the tunes from barry lyndon you loved in the movie. Also some great military tunes for collectors of millitary music from the 7 year wars era and tabel topp/minature gamers wanting some background music.
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2 of 2 people found the following review helpful
By Lady Fancifull TOP 100 REVIEWER
Format:Audio CD
The music from the soundtrack of Kubrick's Barry Lyndon is utterly gorgeous, melancholy, sometimes ironically stirring and evocative. Unfortunately its no longer available outside a few sellers, and therefore the cost is likely to shift the eager listener from melancholy to depression.

Perhaps someday this will become available as a standalone sound track again, or even as an mp3 download. It may be worth scouring the web to see if any other companies offering mp3s are already doing this.

My review looks forward to the day when this IS available, affordably.

The music is a curious, fitting mix of Handel, particularly a slow, stately sarabande, Mozart (Idomeneo), grey-green misty Irish music, skirling pipes and strings by the Chieftains, and military marching music, which against the backdrop of the other music seems less energising and purposeful, and much more disquieting and a harbinger of doom.

Does the collection work as a stand-alone, if you've never seen the film? Well, personally I'm not altogether convinced. Without strong memories of the sadness, decay and faded glory in the film's storyline the strange pairing of music, the increasingly portentous sarabande against the sorrow-within-have-a-good-time of the Chieftains and the upbeat confidence of the military marches would be odd. Some movie soundtracks have a seamlessness as there is an evenness in quality and tone of music, enabling enjoyment without filmic associations.

The score of this so perfectly counterpoints what is seen with a commentating subtext and thus has such variety that it must reserve its fullest impact for those who have seen the film.
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