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Bantock: Pagan Symphony, Fifine at the Fair, Two Heroic Ballads

Granville Bantock , Vernon Handley , Royal Philharmonic Orchestra Audio CD

Price: 23.99 & FREE Delivery in the UK. Details
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Bantock: Pagan Symphony, Fifine at the Fair, Two Heroic Ballads + Bantock: Hebridean & Celtic Symphonies + Bantock: The Cyprian Goddess
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1. 'Et Ego in Arcadia Vixi' - Part 1
2. 'Et Ego in Arcadia Vixi' - Part 2
3. 'Et Ego in Arcadia Vixi' - Part 3
4. 'Et Ego in Arcadia Vixi' - Part 4
5. 'Et Ego in Arcadia Vixi' - Part 5
6. 'Et Ego in Arcadia Vixi' - Part 6
7. A Defence of Inconstancy - Part 1
8. A Defence of Inconstancy - Part 2
9. A Defence of Inconstancy - Part 3
10. A Defence of Inconstancy - Part 4
11. A Defence of Inconstancy - Part 5
12. Cuchullan's Lament
13. Kishmul's Galley

Product Description

Review

'The performances are stunning, the recordings most sumptuous' --Gramophone

'Stunning recording and utterly convincing performances' --BBC Music Magazine Top 1000 CDs Guide

Product Description

HYP 66630; HYPERION - Inghilterra;

Customer Reviews

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Most Helpful Customer Reviews on Amazon.com (beta)
Amazon.com: 4.8 out of 5 stars  6 reviews
28 of 29 people found the following review helpful
5.0 out of 5 stars Bantock's 'Pagan Symphony';'Fifine at the Fair'; Two ballads 25 Feb 2000
By K. Farrington - Published on Amazon.com
Here Bantock is not referring to the 'New Age' Pagans we see today, with joss sticks and crystals but here he alludes to one of his first loves, Classical Antiquity. He prefixes his Pagan Symphony with the Latin motto 'Et ego in arcadia vixi' which means 'I too lived on Arcadia' and attempts to portray through the eyes of a Victorian intellectual those idealised visions of nymphs and gods and goddesses living in a pastoral landscape of divine beauty. Today we have lost this false picture due to the work of Nietzsche and other scholars who have penetrated further into the Greek ideals than did the 19th century philhellenes. However, we can appreciate this work as late romantic invention rather than musical archaeology. The vehicle Bantock uses is the late romantic post-Wagnerian orchestra that Richard Strauss had taken into new sound worlds with his tone poems like 'Also Sprach Zarathustra' and 'Till Eulenspiegel'. All this stuff must have been so exciting when it was cutting edge and Bantock was not alone when he was attempting to conjure up the world with a 120 piece orchestra and the new chromatic, flowing never-ending melodies he had inherited from Wagner. The brilliant orchestration with growling brass, jumping woodwind and finely divided strings represents romantic music on the very precipice with Mahler's doom laden appogiaturas. Unlike Mahler, however, Bantock is good humoured and does not seek like Scriabin to explode in an apotheosis of sexual-religious ecstasy or retreat like Debussy into a world of sense experience robbed of action or like Delius inhabit a world of contemplative hedonism. He is thus remarkably well balanced as a composer, lacking that self-indulgent 'suffering for his art philosophy' that became so associated for a time with the romantic creative artist like its non plus ultra, Baudelaire or even Chatterton and Byron. In true English vein, he shows his genius in plain speaking terms yet the orchestra sparkles as much as with his (more frequently played) contemporaries. He is a Tennyson of music and not a Mallarme. Fifine at the Fair is a tone poem based on a poem by Browning which is almost incomprehensible to modern sensibilities but involves something a butterfly symbol on the sea of life and infatuation of the protagonist with Fifine, a dancer at a fairground, all to the detriment of his marriage to his wife, Elvire. The lesson is learned, he is forgiven by Elvire, and all ends well. The music was championed by Beecham for a while as it puts the orchestra through its paces with immense tutti and solo opportunities for many players; in effect it should be a Proms favourite, although I cannot recall it being played there. Anyone who likes this period's music will adore this work and will cherish the lingering ending with its plaintive tune. The 'Ballads' are equally fine. This CD sits almost permanently on my CD changer. Every time I play it, new features come out to my attention. Handley takes it all very seriously, as he should, and shows again the depth of musical talent that England possessed at this time. Great!
14 of 14 people found the following review helpful
5.0 out of 5 stars ...Wildly imagative 17 Aug 2002
By David - Published on Amazon.com
To the thanks of Vernon Handley and Hyperion records, Granville Bantock can be appreciated after being neglected for a long time. When it comes to British composers there was never that much focus put upon Bantock, although he has at times been compared to Edward Elgar...a unlikely comparison, Liszt, Wagner and Richard Strauss come more in mind.
Granville's fascination with celtic mythology is never more evident with the likes of "Pagan Symphony" 35 minutes of one continous movement that fall into sections, music of the highest imagination that invokes the mind. Bantock derives most of his works from poetic references.
"Fifine At The Fair" being his most popular performed work being no exception, has Robert Browning as the influence...which at the time was considered unreadable.
"Two Heroic Ballads", Cuchullan's Lament and Kishmul's Galley are both based upon Kennedy-Fraser collection of songs. Kismul's Galley had been lifted from "Hebridean Symphony".
Vernon Handley and the Royal Philharmonic Orchestra are just simply marvelous, the colourful sweeping orchestration carries you off to another place and time.
13 of 13 people found the following review helpful
4.0 out of 5 stars MUSIC OF STORY AND VISION 18 Oct 2003
By NotATameLion - Published on Amazon.com
Somewhere in between aching loveliness and the blaringly brash Granville Bantock's music achieves greatness. Bantock's inventiveness and vision rivals that of contemporaries like Holst and even Vaughan Williams (a personal favorite of mine). This recording--containing the massive one movement Pagan Symphony, the lovely Fifnie at the Fair, and two impressive heroic ballads--serves as a great introduction to this composer.
The Pagan Symphony centers on Bantock's ideas about classical Greece. In musical form he alludes to and brings to life the culture and legends of the Greeks.
Fifnie at the Fair was inspired by a Robert Browning poem. It is the most stunningly beautiful piece on the disc. It is almost a necessary counterweight to the thunder of the Pagan Symphony.
The two ballads--Cuchullan's Lament & Kishmul's Galley are more than just filler pieces. Each has a charm and character distinctly its own.
Bantock the composer may not have been a world class lyricist, but he could tell quite a story. His music is full of color. He used a full palate to paint soundscapes that are uniquely wonderful.
Vernon Handley, the Royal Philharmonic Orchestra and Hyperion's engineers are to be given full credit for this wonderful recording. I must say this also about Handley and Hyperion--with their work on the Robert Simpson Symphony cycle and now with this disc and their other recordings of Bantock's music--they are not just making great music but leaving a legacy.
I give this disc my full recommendation
5 of 5 people found the following review helpful
5.0 out of 5 stars Romantic Mythology 24 April 2001
By Daniel G. Berk - Published on Amazon.com
Granville Bantock was a late romantic composer, particularly fascinated with the mythology of antiquity. He explored it beautifully in his music, which in addition to bringing his favorite subject to life musically, is extremely listenable.
Bantock is another composer who, while not being a household word, is well-worth experiencing. The investment in time will pay dividends.
2 of 2 people found the following review helpful
5.0 out of 5 stars Gorgeous music in stunning performances 25 Sep 2009
By G.D. - Published on Amazon.com
Just as with the first release in Hyperion's series of the orchestral music of Granville Bantock, I am almost bowled over by the music and performances on display. Bantock was obviously a really good composer whose relative neglect is more or less inexplicable (apart from the fact that the music was very much out of fashion in the 30s and 40s). This is lush, luxuriant late-romanticism - there are certainly touches of Richard Strauss, although Elgar and French models are more obvious. And the fads of seventy and eighty years ago are certainly blurry from the point of view of today, so we have the opportunity to enjoy this music unfettered by such parameters. As the previous disc, this one shows Bantock to have been an eminent orchestrator, but one which could use his orchestration skills not for mere pyrotechnics but to emphasize strong themes which are superbly developed and argued, and an utterly assured compositional technique able to support large-scale structures without even coming close to losing the listener's interest.

The Pagan Symphony, first performed in 1936, is an urgent but tonally rich one-movement work (of more than thirty minutes). It is cleverly developed without being clever for cleverness's sake with several stunningly beautiful touches and a marvelous scherzo as, perhaps, the high-point. Fifine at the Fair is an utterly genial work, but with a tragic streak to it and (not the least) a gorgeously beautiful opening. It sports a richness of imaginative thematic material to marvel at. The two heroic ballads are colorful and enjoyable fillers with memorable themes, even if they are, perhaps, somewhat unsubtle.

Bantock is probably not the most individual of composers, but his music is inventive, imaginative, never boring and with some utterly magical touches. Not really profound, perhaps, but who really cares with music as engaging as this? The performances are magnificent as well and the sound quality simply marvelous. Urgently recommended - although one might want to start with the issue containing the Celtic and Hebridean symphonies.
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