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Product details
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| 1. The concept |
| 2. Satan |
| 3. December |
| 4. What you do to me |
| 5. I don't know |
| 6. Star sign |
| 7. Metal baby |
| 8. Pet rock |
| 9. Sidewinder |
| 10. Alcoholiday |
| 11. Guiding star |
| 12. Is this music? |
Review It may be odd to describe as "unaffected" an album which sees four Scotsmen all but replicating the sound of Big Star, with nods to other American icons such as The Byrds, The Beach Boys and Raspberries. Yet TFC committed to their passions unapologetically. If 1990’s tentative debut album A Catholic Education had hinted at what was to come only in Everything Flows, and follow-up The King had been a thrashy mess, their third was where they honed their riffs, galvanised their harmonies, and landed on a few hooks. Sure, many of these were borrowed from Alex Chilton, but Big Star was then a neglected entity. Creation (in the UK) and Geffen (in the US) ensured Bandwagonesque got heard, and as a by-product Big Star’s, er, star, rose again. TFC enjoyed US hits with Star Sign (more Swervedriver than Dinosaur Jr), the simplistic What You Do to Me and The Concept – and their California dreamin’ was a brief, blazing reality.
They never matched this for impact and deceptively cohesive punch. The Concept is an arresting opener, a twist of feedback drooping with practised sloppiness into a quirky, unforgettable couplet about a Status Quo fan and a dumb, delightful refrain broken by wailing guitar solos and near-choral harmonising. It makes virtues of its naivety and retro-stylings, charming you onside. There’s a curveball in the eighty seconds of faux-metal thrashing which constitutes Satan, but the pop chops return for the likes of December, Metal Baby and Sidewinder.
They were only reinventing the wheel, but Bandwagonesque keeps on spinning.
--Chris Roberts
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The second half of the album is simply flawless - Starsign, Metal Baby, Pet Rock, Sindwinder, Alcoholiday, Guiding Star and Is this music is probably the greatest sequence of songs ever put together by any band - there simply isn't a flaw in any of them. Alcoholiday encapsulates the enjoyment of completely losing control and responsibility, and getting f***ed by some complete stranger. Guiding Star sums up the feeling of hero-worship that all of us have at some point felt, and felt half-ashamed of, but still succumbed to. No matter that the object of Norman Blake's hero worship (Alex Chilton) was not a very nice man.
What really stands out over the whole album is the Norman Blake's raw vocals, the jangling and slightly delayed chords, the quality of the lyrics, subject matter (there's simply no substitute for teenage kicks when it comes to pop song lyrics), and the fact that it sounds like the kind of album the Beatles should have made, but never did.
If they have school discos in heaven, then Bandwagonesque is the first disc on God's playlist.
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