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14 of 14 people found the following review helpful:
5.0 out of 5 stars
David Bailey: still staying on the edge, 1 Dec 2005
David Bailey wants the figures in this new book to be seen as naked, rather than nude. Nudes of course are about the idealisation of the human form. The naked figures in Democracy however, while standing with exactly the same framing, exactly the same distance from the large format camera, under exactly the same lighting, against exactly the same background, were pretty much free to display themselves as they chose. Contrary to the more habitual situation in Bailey’s studio, the subjects aren’t all models and celebrities. Initially they were chosen at random from the diverse group of people passing through the studio. Some Bailey knows well: others not at all. Continuing in the spirit of Democracy the figures are captioned by name, and the job description by which they choose to define themselves. Age, although diverse, is not mentioned at all; and Bailey emphasises that often the figures asked to pose were those more used to standing behind, or well away from, the camera. Nobody asked to pose refused, and nobody who posed was excluded from the final series.The irony, in Democracy however, is that one of the strongest currents running through it is one the photographer himself is almost too close to admit. The subjects were indeed chosen at random, and they were indeed drawn from all who passed through the studio, and others who asked to be included. But there’s no getting away from the fact that the majority passing through Bailey’s studio is indeed the height of fashion and celebrity. Photographing such people unclad is by no means new. It’s been done, with varying degrees of sophistication, by contemporaries up to and including Bailey’s long term friend, and foil, the late Helmut Newton. But to present the constituent elements of fashion, and celebrity, and the street, truly devoid of their armour: naked, standing before the world, amongst their public, and achieving it with such undoubted style, is indeed staying on the edge. It’s very Bailey. And Bailey it would appear has a few miles of film yet to go.
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