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DVD Description
Financial analyst Michael Boll seems to have everything then he meets Alex, an impeccably dressed drifter with a fatal charm and an unsatiable appetite for wine, women...and danger.
Special Features
English
Region 2
Region 2
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Most Helpful Customer Reviews
2 of 2 people found the following review helpful
Format:DVD
Check out friends around you, you may end up with a psycho like Alex (played by Rob Lowe). What he does in the movie is quite impressive and psychotic, especially a dirty trick like breaking a tail light and pulling the broken bulb into a fuel tank. If you hit the brake pedal, OOPS! In general, I like the story, I like the casting. Very good performance from both James Spader (as Michael) and Rob Lowe (as Alex). Does Alex do it on purpose to screw up Michael's life? I don't think so. Alex gives Michael what he wants (gals, job promotion), Alex eliminates what Michael's afraid of (getting married). But Michael pisses Alex off and wants him out of his life. Of course Alex rampages, revenges, and takes back everything he gave to Michael. I don't find the movie is too exaggerated; in contrast, I'm convinced that it could happen to anyone of us anytime anywhere. Who knows?
About the DVD, it's a double-sided disc. One side is the 16:9 widescreen format, and the other side is the standard 4:3 format. Quite obvious, it is lacking of extra features. It only comes with subtitles and theatrical trailer. Overall, movie is good but features are short.
About the DVD, it's a double-sided disc. One side is the 16:9 widescreen format, and the other side is the standard 4:3 format. Quite obvious, it is lacking of extra features. It only comes with subtitles and theatrical trailer. Overall, movie is good but features are short.
6 of 7 people found the following review helpful
Format:DVD
I love this film of the nerdy office worker getting influenced by an outsider and stuffing his life up in the process.
It's well shot, well edited, fast-paced, but the soundtrack sounds very dated nowadays, which is why it only gets a 4/5. Get it if you want to see Rob Lowe doing some seriously good acting at a time when he was dismissed by the press as nothing more than just a pretty face. Good, scary fun.
Format:DVD
Bad Influence is directed by Curtis Hanson and written by David Koepp. It stars Rob Lowe, James Spader, Lisa Zane and Christian Clemenson. Music is by Trevor Jones and cinematography by Robert Elswit.
Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost.....
Tell me what you want more than anything else in the world.
The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.
Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?
Call me Mick.
Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue conversations. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.
The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10
Michael Boll (Spader) is the ultimate milquetoast. Alex (Lowe) is something altogether different. When Alex introduces himself into Michael's life, Michael finds from within a boldness he didn't know existed. But Alex's life lessons may just come at a cost.....
Tell me what you want more than anything else in the world.
The 90s began in a neo-norish haze for one time brat-packers Spader and Lowe. For Spader it was another chance to show, after 1989's Sex, Lies and Videotape, that he could do drama very well. For Lowe it was a case of dusting off his off screen misdemeanours to self mockingly portray the bad boy playing the bad boy. With future L.A. Confidential helmer Hanson in the chair overseeing things, Bad Influence rounded out as a sneaky bit of grit. It didn't make any great waves back on release, but it's a film that holds up surprisingly well these days, particularly as an 80s noir snapshot.
Thematically picture asks us if everyone has the devil inside them if prompted or manipulated from outside sources? Alex's motives are intentionally left sketchy, we are in no doubt from the opening credits that he's untrustworthy, yet who he is or what he's really about are questions left hanging in the air. A good looking charmer without doubt, and thanks to Spader's uber wimp beginnings, we find ourselves urging Alex on as he slots a spine into Michael's back. There's a decidedly nasty edge to the Koepp screenplay that lets the actors excel in their respective transformations, and with the mood set at simmer, story unfolds and lets the Doppleganger motif kick in. From here on in it's now a question for the viewers of how it's going to resolve itself?
Call me Mick.
Hanson paints it in sweaty metallic strokes, interiors of Michael's condo portray yuppie claustrophobia, exteriors of nighttime L.A. are classic noir; where the bright lights of the city are eyes observing Michael's transformation and the salty whiff of the pier and the sea hover over the telling periods of dialogue conversations. True enough to say that Bad Influence, and its director, owe a huge debt to past masters, notably something like Strangers on a Train, but the update works very well, particularly in the context of maintaining a continued sense of tension. The humour that lives and breathes in the picture is nicely placed, adding a bit of salt to an already spicy broth, and there's even the delicate hint of an old noir favourite, potential man crush.
The build up isn't matched by the pay off, but even then there's enough of a bite to warrant respect. Far better than some internet ratings suggest it is, and certainly undervalued in the neo-noir pantheon, Bad Influence is well worth reevaluating in this new age of cinema. 7.5/10
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