A very unusual and interesting film that is elevated above the average western by Borden Chase's unconventional script, which contains some crisp knowing dialogue, and manages to use a whole kaleidoscope of characters. Chase scripted that superb series of psychological westerns directed by Anthony Mann in the fifties, to which this film bears comparison. He also scripted Howard Hawk's magisterial "Red River". John Sturges directs a strong cast with a sure hand. The film is set in Arizona in 1870 and certainly appears from the landscape to have been filmed in that area. Richard Widmark plays the part of Jim Slater a man trying to solve the mystery surrounding his father's death. In an Indian massacre one man survived by abandoning his friends to their fate. Slater becomes a sort of detective akin to Raymond Chandler's Philip Marlowe in his efforts to track down the sixth man. This brings him into contact with the Apache, a whole host of killers, and a beautiful femme fatale. There is an unusual twist to the story, and the resolve of the unflappable Slater is given a stern testing.
A special mention should be given to the strong cast. Widmark is excellent as our hard bitten hero, bringing in his own unique brand of snarling cynicism which nobody did better. 1956 was a good year for him as he also made the excellent "The Last Wagon" with the under rated director Delmer Daves. He and Sturges also went on to make the very good "The Law and Jake Wade". William Campbell plays a cocky young gunfighter with the interesting handle of Johnny Cool. With a name like that you just know he's gonna be fast on the draw! Donna Reed whose career was on the wane, was still very beautiful in her role as a rose of the prickly variety. Then we have a whole rogues gallery of character actors that seem to have been shipped in off the set of "The Far Country" made by Anthony Mann the year before. John Mcintire, Robert J Wilke, Harry Morgan and Jack Lambert all appeared in that film as heavies. Harry Morgan it has to be said was about as scary as Kermit the frog, and was a rather unlikely brother to the physically imposing Wilke. Reed admittedly does look a bit too immaculately manicured for frontier Arizona circa 1870, and why oh why didn't that Apache Indian just shout for his mates when engaging in mortal combat with Widmark??? But hey, it's only a film right! The film was made in vibrant technicolor that showcases the desert scenery to good effect. This is a strong western that runs against the normal conventions of the genre and is all the more refreshing for that. I can only heartily endorse the other positive reviews. Well worth watching.