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Track Listings
| Disc: 1 | |||
|---|---|---|---|
| 1. Nr.1 Chor: Kommt, ihr Töchter | |||
| 2. Nr.2 Rezitativ: Da Jesus diese Rede (Evangelist/Jesus) | |||
| 3. Nr.3 Choral: Herzliebster Jesus (Chor I II/Orchester I II) | |||
| 4. Nr.4 Rezitativ: Da versammelten sich die Hohempriester (Evangelist) | |||
| 5. Nr.5 Chor: Ja nicht auf das Fest (Chor I II/Orchester I II) | |||
| 6. Nr.6 Rezitativ: Da nun Jesus (Evangelist) | |||
See all 31 tracks on this disc
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| Disc: 2 | |||
| 1. Nr.32 Rezitativ: Und er er kam (Evangelist/Jesus/Judas) | |||
| 2. Nr.33 Duett: So ist mein Jesus nun gefangen (Sopran/Alt/Orchester I/Chor II/Orchester II) -Chor: Sind Blitze, sind Donner (Chor I II/Orchester I II) | |||
| 3. Nr.34 Rezitativ: Und siehe, einer aus denen (Evangelist/Jesus) | |||
| 4. Nr.35 Choral: O Mensch, bewein dein Sünde gross (Chor I II/Orchester I II/Ripieno) | |||
| 5. Nr.36 Ach, nun ist mein Jesus hin (Alt/Chor I) mit Chor: Wo ist denn dein Freund (Chor II/Orchester II) | |||
| 6. Nr.37 Rezitativ: Die aber Jesum gegriffen hatten (Evangelist) | |||
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See all 27 tracks on this disc
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| Disc: 3 | |||
| 1. Nr.59 Rezitativ: Sie schrieen aber noch mehr (Evangelist/Pilatus) Chor: LaB ihn kreuzigen! (Chor I II/Orchester I II) | |||
| 2. Nr.60 Rezitativ: Erbarm' es Gott! (Alt/Orchester II) | |||
| 3. Nr.61 Arie: Können Tränen meiner Wangen (Alt/Orchester II) | |||
| 4. Nr.62 Rezitativ: Da nahmen die Kriegsknechte (Evangelist) mit Chor: Gegrüsset seist du (Chor I II/Orchester I II) | |||
| 5. Nr.63 Choral: O Haupt voll Blut und Wunden (Chor I II/Orchester I II) | |||
| 6. Nr.64 Rezitativ: Und da sie ihn verspottet hatten (Evangelist) | |||
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See all 20 tracks on this disc
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Product Description
CD Composer: Johann Sebastian Bach / Conductor: Otto Klemperer / Soloist: Elisabeth Schwarzkopf
Customer Reviews
Most Helpful Customer Reviews
20 of 20 people found the following review helpful
By Mr. Ian A. Macfarlane
TOP 100 REVIEWER
Format:Audio CD
With a stellar cast and very fine EMI recording, this is a unique version of the St. Matthew Passion, one enjoyed above all others by its devotees , and it has held its place in the catalogue pretty well since it was first issued. In its own terms it is unparalleled, and yet ... and yet ..... I can't just dismiss the best of the 'authentic' versions with smaller forces and a leaner approach, generally faster tempos and clearer internal balance. In the end of the day, I find John Eliot Gardiner's version, for example, as moving as this, as well sung and, because it is more varied and more dramatic (though not more spiritual, but not less either), a more approachable version. I find Klemperer is a bit of an effort, to be honest, and not for doctrinaire reasons but because some of the arias really do go for a long time and there is less variety in tempi and sonorities than in the Gardiner version. So I would withdraw a single star because, for me, there are versions which it is easier to live with, but for occasional hearings, this remains required listening for all admirers of this extraordinary work.
30 of 32 people found the following review helpful
By The Penguin
VINE™ VOICE
Format:Audio CD
I echo the comments of the above reviewer - this recording comes directly from the heart - without concern for "authenticity" or gimmick, Peter Pears (Evangelist) was at the height of his prowess and this shines through - not only for him but for the other artists around him.
The "feeling" of the crucifixion comes through clearly on this, an excellent recording which has transferred very well it is certainly worth the money and will hold true for many more years
The "feeling" of the crucifixion comes through clearly on this, an excellent recording which has transferred very well it is certainly worth the money and will hold true for many more years
58 of 65 people found the following review helpful
By NNNNN
Format:Audio CD
The historical performance lobby (classical music's version of political correctness) would like to brainwash listeners into thinking that Bach can only be performed by small forces on alleged period instruments of modern production. How deep their belief is I am not sure as I have yet to hear of one volunteering to become a castrato. If one reads Bach's letters two common complaints abound. The quality of the instruments were poor and he wanted more performers. If anything this Klemperer performance is more in keeping with what Bach wanted than the regressive historical performance want.
In Klemperer's hands the Saint Matthew Passion is not an academic exercise but a deeply felt human drama. His orchestra and choirs (directed by one of the master choral directors of the 20th Century Wilhelm Pitz)are simply superb. The chorales which act as a sort of Greek Chorus throughout the work are not a one size fits all. As the tragedy deepens the tone becomes edgier and more sorrowful adding a further touch of humanity to the performance. Many recordings, often for economic reasons, double or triple the singers on parts but EMI opens the wallet and gives us a fine ensemble to carry us along. Many were at their peaks or just getting there. What they bring is a personality and an individuality to their parts and the listener can feel the emotional attachment they have created. It is something far to rare these days and EMI's very fine 1960's recording preserves it for us.
In Klemperer's hands the Saint Matthew Passion is not an academic exercise but a deeply felt human drama. His orchestra and choirs (directed by one of the master choral directors of the 20th Century Wilhelm Pitz)are simply superb. The chorales which act as a sort of Greek Chorus throughout the work are not a one size fits all. As the tragedy deepens the tone becomes edgier and more sorrowful adding a further touch of humanity to the performance. Many recordings, often for economic reasons, double or triple the singers on parts but EMI opens the wallet and gives us a fine ensemble to carry us along. Many were at their peaks or just getting there. What they bring is a personality and an individuality to their parts and the listener can feel the emotional attachment they have created. It is something far to rare these days and EMI's very fine 1960's recording preserves it for us.
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4.3 out of 5 stars
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Most Recent Customer Reviews
5.0 out of 5 stars
For me an event
I've known this recording for many years and listening to it again recently provokes this review. It's a part of my life and for me has become beyond criticism. Read more
Published 6 months ago by J. Waite
5.0 out of 5 stars
Unforgettable
I was fortunate in being present in the Royal Festival Hall when Otto Klemperer directed the complete Passion on a Sunday afternoon and evening in the early 60's. Read more
Published 7 months ago by D. Dean
5.0 out of 5 stars
HIPster Wars - News from the Bach Front - Communiqué 24
Some people one should not mess with in life, let alone in death.
Now Father Melchizedek OP, the High Priest of Period Practice, had every reason to feel happy with... Read more
Now Father Melchizedek OP, the High Priest of Period Practice, had every reason to feel happy with... Read more
Published 14 months ago by Bernard Michael O'Hanlon
3.0 out of 5 stars
Funeral March
I was attracted to this recording by the star studded cast but failed to take on board that Otto Klemperer's tempi neccesitated not two, but three disks for a total of 223 minutes... Read more
Published 16 months ago by J. V. Goodman
5.0 out of 5 stars
Outstanding version of St. Matthew
Mr Klemperer is performing one of the most (The One, I would say) outstanding version of St. Matthew Passion. Read more
Published on 10 Sep 2009 by C. C. Montes
2.0 out of 5 stars
bach in slow motion
having admired some of klemperer's recordings (his fidelio is stellar!) i was tempted by this st matthew passion, but after hearing it it seems - at least in my opinion - that the... Read more
Published on 22 Sep 2007 by B.D.A
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