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Bach: St. Matthew Passion [Box set]

Johann Sebastian Bach , Willem Mengelberg , Amsterdam Concertgebouw Orchestra , New York Philharmonic Symphony Orchestra Audio CD
4.7 out of 5 stars  See all reviews (3 customer reviews)
Price: £13.25 & this item Delivered FREE in the UK with Super Saver Delivery. See details and conditions
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Frequently Bought Together

Bach: St. Matthew Passion + Martha Argerich: The Début Recording + Beethoven: Late String Quartets
Price For All Three: £37.40

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Product details

  • Orchestra: Amsterdam Concertgebouw Orchestra, New York Philharmonic Symphony Orchestra
  • Conductor: Willem Mengelberg
  • Composer: Johann Sebastian Bach
  • Audio CD (29 Mar 2004)
  • SPARS Code: DDD
  • Number of Discs: 3
  • Format: Box set
  • Label: Naxos
  • ASIN: B0001N9ZAW
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Bestsellers Rank: 143,328 in Music (See Top 100 in Music)

1. St. Matthew Passion - 75 Tracks on 3 CD's - Johann Sebastian Bach

Product Description

Passion selon saint Matthieu, BWV 244 (abrégée) - Aria de la Suite n° 3, BWV 1068 - Concerto pour 2 violons, BWV 1010 / Solistes - Amsterdam Toonkunst Choir - Zanglust Boys' Choir - Concertgebouw Orchestra - Direction Willem Mengelberg

Customer Reviews

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4.7 out of 5 stars
4.7 out of 5 stars
Most Helpful Customer Reviews
29 of 29 people found the following review helpful
By John Austin HALL OF FAME TOP 1000 REVIEWER VINE™ VOICE
Amongst the vast legacy of recordings from Mengelberg's Amsterdam years, this one had until now eluded me. Well, the wait was worthwhile! I doubt that the St Matthew Passion recording, wonderfully vivid for 1939, has ever sounded as well as in this 2004 remastering by Mark Obert-Thorn. You'll be aware of a few patches of blasting in the opening chorus, and a few clicks thereafter, but you'll soon feel comfortably enveloped in the grand ambience of the Amsterdam Concertgebouw. The recording is especially kind to the choir.

So much for the recording quality, what of the performance? Commitment, sincerity, grandeur and reverence - words like this typify it. Don't expect metronomic totality to be sustained in each item. Indeed, so many are the kinks and bends in the music's flow that you'll wonder how such large forces directed by one diminutive conductor could maintain such perfect ensemble. Those who favor contemporary styles of Bach performance will need to forget all that. Repeated hearings might show that behind Mengelberg's idiosyncracies is a strong understanding of a great event and a commitment to making Bach's music reveal it directly.

Complete St Matthew Passion performances were rare in the 1930s. Bruno Walter was one conductor who later regretted that he had conducted "cut" versions. This one lasts for about two and three-quarter hours. All Mengelberg's other Bach recordings are added to fill the third CD.

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6 of 6 people found the following review helpful
4.0 out of 5 stars St. Matthew Passion: just adorable 23 April 2010
It is a piece of music loved by millions all over the world. What makes this performance just adorable? Willem Mengelberg's interpretation is completely different from our now-a-days interpretation. The Romantic era which is implemented in his version of the St. Matthew Passion gives us a different view on Bach's masterpiece. I think it is very nice to have different interpretations of this masterpiece and this version must be in the collection!
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4 of 4 people found the following review helpful
5.0 out of 5 stars Magnificent, prayerful and emotional 26 April 2012
By RDP
Amazon Verified Purchase
We have owned the LPs of this performance for nearly 50 years, and now own the CDs. It is a recording we have brought out nearly every year during Holy Week. It is magnificent, prayerful and emotional. It is old, it has coughing, it has charm, but it is shattering. The choruses and chorales have never been sung with such intensity. It is pre-war, and all the performers must now be dead. No other performance or recording is like it. We cannot speak or write more highly of it.

I challenge any conductor, or any choir, or any soloist to attempt a similar performance using modern recording techniques. Klemperer's version is in the same tradition, but comes nowhere near it in intensity; other "authentic", modern versions seem merely melodramatic.

This is a churchman's drama. Listen to it on your knees!
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